All-in-all, an enjoyable ride.
A former gunslinger must revisit his past to save his family.
William Hart is a farmer on the West Texas frontier in the 1870s, with a beautiful wife and son. He tries to instill in his son Billy an abhorrence for violence, but the boy is ashamed of his father, who refuses to fight and won’t even carry a gun like all the other men in town. When Hart’s old friend Sheriff Noble Caulder stops by one night, he knows it’s not just to warn the family about possible Comanche sightings in the area. A band of lawless “regulators” have overrun the town of Enterprise to ensure an outcome to the upcoming mayoral election favorable to their employer, Sam Granger. The ruthless cattle baron is determined to bring the railroad to town so he can ship his cattle cross-country and wants his yes-man Aaron Mobley to win the election. Caulder asks for Hart’s help in driving out the pistoleros, reminding him that he’d saved his life more than once during their days fighting for the Confederates in the Civil War. Hart refuses, saying that he can never repay that debt and that he’s put his guns and his violent past behind him. However, when Granger’s son murders Caulder, he feels compelled to take action, though it means his wife will find out about his past, which she may never understand nor forgive him for. In his quest to restore peace and justice, Hart makes an unlikely and invaluable friend and ally. Edmondson treads well-traveled territory in this Western thriller, but he knows it well, and he’s put together an engrossing tale, led by an engaging and sympathetic protagonist. Though his scene descriptions are ponderous at times, his gun battles are well-executed. The narrative is marred, however, by a lengthy flashback dream, a clichéd device used to relate the details of Hart’s past.
All-in-all, an enjoyable ride.Pub Date: Aug. 21, 2007
ISBN: 978-1-59330-492-8
Page Count: 165
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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