A fast-paced historical western lively with high adventure, sharp dialogue and a stand-up hero.
The second-born son of a prominent Texas rancher returns home to catch his brother’s killers in this tight, action-packed historical western.
Award-winning writer Edmonson’s tight prose wastes nary a word while describing the hard-edged character of Clint Cooper, a lawman in Porter’s Mill, Nev. Aware that his older brother, Jake, would inherit the family ranch, Clint left Pecos County, Texas, a long while before, content to make his way in the world. When Clint gets word that Jake’s been shot to death, he heads home to confront whoever murdered his brother. Clint’s first encounter with the sheriff of Stockton Springs makes it clear that if there’s justice to be had, Clint will have to mete it out himself. As businessman Montgomery Fitzgerald’s hired guns terrorize the Pecos country and lock up land left and right, leaving a trail of dead farmers and ranchers and shattered families, Clint spearheads the effort to take on the gang of vigilantes hiding behind the sheriff’s shield. All the while, he’s keenly aware of being watched closely by Emily Patterson; until meeting Clint, she assumed the men of the Wild West had faster trigger fingers and shallower values than their Eastern counterparts. Romance must take a back seat, though, while Clint eliminates the threat of armed thugs running things in Pecos County. Clint’s self-assured manner, strategic actions and firm advocacy of justice (not revenge) persuades the Cooper men, the surrounding ranchers and farmers and even Emily that he’s a wise and trustworthy man of action–he’ll get his man no matter what. Characters are played according to type–Shiloh Vance, the ruthless killer; Clint Cooper, the tough lawman with a loyalty streak as wide as the Rio Grande; Emily Patterson, the slightly cynical woman who dares to hope that this man might be different. Edmonson avoids predictability only because of his skilled plotting and cinematic action scenes. Vivid descriptions of the wild Texas landscape, coupled with dialogue that’s witty and deadly serious by turns, add depth and historical detail.
A fast-paced historical western lively with high adventure, sharp dialogue and a stand-up hero.Pub Date: April 23, 2008
ISBN: 978-1-59330-535-4
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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