A far-fetched novel with too much going on.
In Ahern’s latest (The Gift, 2009, etc.), a family’s secrets lurk in the ruins of an Irish castle.
Tamara, who is 16 but has always felt older, one day finds herself abruptly evicted from her old life. After her father, George, a mega-rich developer, kills himself in the man cave of his Dublin McMansion, his wife, Jennifer, and Tamara learn that he has lost everything to the global real-estate bubble. They move in with Tamara’s country uncle, Arthur, who lives in the gatehouse of Kilsaney Castle with his high-strung wife, Rosaleen. At the gatehouse, Tamara braces herself for a long summer. Her mother is in a near-catatonic state of grief, rarely leaves her bedroom and sleeps most of the time. Rosaleen, when she’s not cooking gargantuan meals, is discouraging Tamara from doing almost anything, from getting the mail to trying to persuade Jennifer to get out of bed. While exploring near the Castle, which was gutted by a long-ago fire, Tamara meets Sister Ignatius, who keeps bees in a walled garden. Sister Ignatius promises never to lie to Tamara, but she’s oddly circumspect when quizzed about Rosaleen’s eccentricities. Boys help relieve the tedium. Should Tamara tell Marcus, the hunk who drives the Bookmobile, that she’s still jailbait? There's also winsome Weseley, Arthur’s summer helper. Weseley’s father, a doctor, makes a house call to treat Jennifer, but Rosaleen drives him away. At the bungalow across the street, Tamara stumbles on enough blown glass to stock several art fairs, but who is the artist? All this would be perplexing enough for Tamara to puzzle out on her own, but Ahern introduces a superfluous note of paranormal activity: a blank diary that periodically tells Tamara, in her own handwriting, what will happen the next day. The diary chronicles the inevitable and the avoidable: It’s up to Tamara to figure out which is which.
A far-fetched novel with too much going on.Pub Date: Feb. 1, 2011
ISBN: 978-0-06-170630-1
Page Count: 336
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 28, 2010
Kirkus Reviews Issue: Nov. 15, 2010
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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