Next book

IF YOU COULD SEE ME NOW

Ahern’s fairytale is at times insufferably whimsical, with a main character whose idea of fun is spinning around on chairs...

A buttoned-up Irish woman finds her life transformed when she meets a soulful man who may not exist.

Ahern (Love, Rosie, 2005, etc.) sets her third novel in a sleepy and picturesque Irish burg well-suited to magical happenings. Among its inhabitants is reluctant single parent Elizabeth Egan, who has few reasons to believe in magic. Abandoned by her “free spirit” mother at an early age, she was forced to take care of her much younger sister, Saoirse, with little help from her emotionally distant farmer dad. Saoirse (Gaelic for “freedom”) grows up to become a wild and troubled teenager with a baby of her own. When she shows no interest in taking care of the child, Luke, Elizabeth adopts him. Realist-by-default Elizabeth has little patience when, at age 6, Luke starts playing with an invisible companion he calls Ivan. When Elizabeth actually starts seeing Ivan, she mistakenly believes he is the father of a local boy. Ivan, who considers himself a professional best friend helping youngsters in need, realizes that Elizabeth would benefit from his services as much as Luke would. He teaches her to be spontaneous and silly and helps her come to terms with her unhappy childhood. (Ivan also confronts certain ethical issues when he finds himself interested in Elizabeth in more than a professional capacity.) Is Ivan a figment of Elizabeth’s sleep-deprived and caffeine-addled brain, or a tall, blue-eyed dream guy?

Ahern’s fairytale is at times insufferably whimsical, with a main character whose idea of fun is spinning around on chairs and speaking backwards.

Pub Date: Jan. 11, 2006

ISBN: 1-4013-0187-8

Page Count: 320

Publisher: Hyperion

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2005

Categories:
Next book

NOW THAT YOU MENTION IT

Balancing emotion, humor, and a redemptive theme, Higgins hits all the right notes with precision, perception, and panache.

Years after escaping her tiny Maine community and completely reinventing herself, Nora Stuart is coming home to heal from an accident, determined to forge new connections, especially with her distant mother and angry niece.

Nora grew up on a tiny Maine island and suffered her father’s abandonment, becoming an overweight, miserable adolescent, scorned by classmates and, even more devastating, by her beautiful younger sister. But when she wins a coveted scholarship, she transforms her life, shedding the weight and gaining a medical degree. She settles into an exciting life in Boston until tragedy strikes and a shaken Nora is surviving but not thriving. After she’s hit by a van, she decides to go back home to Maine to heal—both physically and psychologically—knowing it won’t be easy, since her relationship with the island and many of its residents is, well, complicated. This includes Luke Fletcher, her biggest rival for the scholarship and the island's favored son. It also includes her mother—an almost comically laconic Mainer who can barely muster a conversation with Nora but coos at her pet bird and offers “hug therapy” to wounded souls—and her niece, Poe, daughter of the aforementioned sister, who is now serving time. One friend and ally, however, is Luke’s twin, Sullivan, whose daughter, Audrey, has weight issues Nora can relate to. Nora steps in to help at the community clinic, tries to break through her mother’s prickly exterior, helps Poe and Audrey find common ground, and makes new friendships while tightening some old ones, but old and new resentments rise to the surface, too. Nora has lots to unpack and sift through, but figuring out who she is and wants to be is a powerful, entertaining journey.

Balancing emotion, humor, and a redemptive theme, Higgins hits all the right notes with precision, perception, and panache.

Pub Date: Dec. 26, 2017

ISBN: 978-1-488-02926-4

Page Count: 416

Publisher: Harlequin

Review Posted Online: Nov. 13, 2017

Kirkus Reviews Issue: Dec. 1, 2017

Next book

RIVER'S END

Though Roberts (The Reef, 1998, etc.) never writes badly, her newest mystery romance is more inconsistent than most. Little Olivia MacBride, daughter of two golden Hollywood superstars, wakes up one night to see her coked-up father holding her mother’s bloody body, a scissors in his hand. After her dad is led off to prison, Liv is sent to live with her grandparents, who run a successful lodge in the Olympic rain forest on the Washington coast—a location far across the continent from the Maryland shores of Roberts’s Quinn trilogy, but one that allows her to explore another place of life-giving scenic wonder. And when Liv grows up and becomes a naturalist/guide, she gets to take us on lots of eye-dazzling tours. Into her sheltered paradise comes Noah Brady, the son of the police detective who arrested Liv’s father and has been her friend since childhood. Noah has grown up to be a bestselling true-crime writer, and, against Liv’s will, he wants to write his next book about the MacBride murder case. (Liv’s dad, about to be released from San Quentin, is dying of brain cancer.) Though Liv fights her attraction to Noah, he’s a persistent boy, and on an extended and very sexy camping trip, the two become lovers. Meanwhile, the real murderer, whose identity will probably be obvious to most readers, leaves his own trail of violence up to Washington and a final prime-evil shoot-out. Added to Roberts’s poorly drawn mystery and her interlude of swell lusty love is her usual theme of how wounded children and inner children are healed and nurtured by good nuclear families. If the conventional wisdom is true, that romance readers never tire of reruns of the same old same old, then Roberts won’t have disappointed them.

Pub Date: March 1, 1999

ISBN: 0-399-14470-6

Page Count: 432

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1999

Close Quickview