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THE ART OF FIELDING

A promising debut—and one guaranteed to draw attention, for it commanded an unusually big advance and will likely be pushed...

An amiable, Middle American, baseball-centric coming-of-age tale.

Henry Skrimshander seems bound for nowhere special, and fast. He’s good enough out on the field, but not quite good enough for the Majors or the Ivy League; as he knows, “College coaches were like girls: their eyes went straight to the biggest, bulkiest guys, regardless of what those guys were really worth.” Through good dumb luck, though, catcher Mike Schwartz discovers Henry and gets him a scholarship at Westish College, a middling but OK school up by Lake Michigan, which, though not of Ivy standing, doesn’t lack for cliques and cabals. Henry feels somewhat adrift there, though he’s steadied by the odd wisdom of the book that gives Harbach’s its title. “Death is the sanction of all that the athlete does,” runs one of its apothegms, even though death seems less a part of baseball than of, say, bullfighting. Henry’s parents are somewhat more than adrift when they learn that he’s bunking with a gay roommate who helpfully buys their son clothes so that he can fit in; their small-town heads are in full swoon, but no more than the school’s eccentric president, who decides that he might be in love with one of his students at the time that his divorcee adult daughter returns home to whip up storms of the heart all her own. The tale takes turns reminiscent of The World According to Garp, though the influence is incidental; Harbach would seem to owe as much to Twain and Vonnegut as to anyone else. In the end, nothing ever quite turns out like anyone expects, which, as grown-ups know, is the nature of life. The recognition of that truth can lead novelists and their characters into cynicism or lazy contempt, but Harbach’s keep both stiff upper lips and smiles on their faces. 

A promising debut—and one guaranteed to draw attention, for it commanded an unusually big advance and will likely be pushed accordingly. Stay tuned.

Pub Date: Sept. 7, 2011

ISBN: 978-0-316-12669-4

Page Count: 528

Publisher: Little, Brown

Review Posted Online: Aug. 1, 2011

Kirkus Reviews Issue: Aug. 15, 2011

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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