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TWO SPIES REACHED OUT FROM THE GRAVE

A stirring spy tale with two unforgettable protagonists.

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In this thriller, a CIA operative’s simple reconnaissance job in Russia runs into complications while a former French intelligence agent gets the chance to stop a Nazi war criminal.

Following a successful operation in Afghanistan, Nathan Adamson of the CIA’s Special Operations Group is due for some downtime. But Adamson prefers working, as it keeps his mind off of “quitting”—recurrent thoughts of killing himself. So he accepts an offer from Tara Yarwick, a psychologist for the Joint Special Operations Command. Adamson is ideal for a proposed operation in Russia. He has Russian lineage and speaks the language. But the JSOC doesn’t quite know what it’s looking for, only that there’s questionable activity and rumors surrounding Russia’s new spaceport, Vostochny Cosmodrome. Unfortunately, Adamson’s assignment to find verification of whatever is going on has an unforeseen hurdle: Armed men suddenly attack him in Russia. An apparent JSOC leak has compromised the mission, and now Adamson has been targeted by enigmatic Russian agent Karambit and his hit squad, the Unit. Meanwhile, Sophia de Marenches, an aging French veteran whom Adamson regularly visits in a Virginia retirement home, has a dilemma. Having been a part of the Resistance during World War II and later French intelligence, Sophia recognizes on TV a Nazi who evaded capture after the war. She relays her suspicions to agents who stop by the home, or at least she thinks so, as her memory is unreliable. She needs Adamson’s help, but he’s busy in Russia, where he’s fairly certain he’s stumbled on plans for an invasion. Despite the elaborate plot, Huskins (Kinjin, 2017, etc.) concentrates the story on the captivating characters of Adamson and Sophia. The tale, for one, explores Adamson’s psychological state: He continually replays in his head the final pleas of a man he assassinated. Though this links to his oft-referenced desire to take his own life, there are also instances of hopefulness; another mental refrain is Sophia telling him, “Come back to me.” At the same time, the narrative provides perspective into Sophia’s constant struggle with remembering: “Already, I feel the memory of our meeting fading. It’s like fighting off sleep when you’ve been up more than twenty-four hours.” While the dual lead characters have their own distinctive qualities, they’re just as remarkable for their similarities. Elderly Sophia is near the end of her life while Adamson is looking to terminate his; it’s one of the multiple ways the novel slyly connects the two. Huskins keeps the plot moving with a steady supply of action scenes (primarily with Adamson) and myriad twists (the identity of the mole; surprising Russian technology; and the CIA agent’s unexpected ally). There are indeed occasional bouts of violence; watching someone intimidate the nearly 100-year-old Sophia is particularly daunting. But the author fills his pages with indelible imagery. For example, as Adamson clandestinely traverses Russia, he notes the environment: “The loneliness cannot be understated. It is a vast, beautiful, unending sea of silent hills, some of them green with stubborn grass and moss, but most of it just bald rock.”

A stirring spy tale with two unforgettable protagonists.

Pub Date: Aug. 23, 2018

ISBN: 978-1-73256-411-4

Page Count: 550

Publisher: Nine Dusks Entertainment

Review Posted Online: Aug. 7, 2018

Kirkus Reviews Issue: Oct. 1, 2018

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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