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THE PATHLESS SKY

A poignant and sophisticated work couched in lyrical, effervescent prose.

Reeling from personal tragedy, a young couple struggles to navigate political violence in their unnamed homeland and rebuild their marriage.

“It mattered to him that he woke up alone,” Sen's debut novel begins. John is upset and angry to find his wife, Mariam, once again asleep on the floor of the empty nursery that was supposed to house their stillborn baby daughter. Mariam’s ongoing pain is, to John, a personal affront that is splitting their marriage apart. But when the militia storms their workplace and Mariam is kidnapped, John’s only concern is for her safety. This present-day drama then flashes back to the story of young John and Mariam at university—their chance meeting on a bridge, growing connection, and John’s regretted detour into a relationship with Mariam’s friend Nina. Mariam and John soon marry and move back to his hometown. Life for the newlyweds moves along smoothly as John finishes his dissertation and advances in his career—complicated only by the denial of Mariam’s passport in the middle of the growing violence of the military state. Desperate to travel overseas, John decides to purchase forged papers for the family. But the loss of their newborn baby devastates Mariam; John, feeling abandoned, begins to think he and Mariam should separate. Here, the novel's past catches up to the present and jumps back into the story of Mariam's disappearance. This debut novel is a searingly vivid portrayal of the depths of human emotions—from the first glow of young love to the deeper strength of middle-aged commitment. Although the flashback structure—in which the bulk of the novel occurs in the past—leaves the reader hungry for the present-tense storyline of Mariam’s kidnapping, this device does create a suspenseful mystery which haunts the narrative.

A poignant and sophisticated work couched in lyrical, effervescent prose.

Pub Date: Oct. 27, 2015

ISBN: 978-1-60945-291-9

Page Count: 320

Publisher: Europa Editions

Review Posted Online: July 28, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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