A serious, masterful, and wholly innovative twist on first-generation-American fiction.

NATIVE SPEAKER

In quiet, rich tones, Korean-American Henry Park, the narrator of this debut, speaks more clearly about his estranged wife than about his work.

This is only natural, for Henry is employed as a sort of industrial spy, and his most recent assignment is to infiltrate the people surrounding John Kwang, a Korean-American New York City councilman who may be headed for bigger things. Dealing with the slick Kwang causes him to reminisce about his own father, who owned fruit and vegetable stores and encouraged him to marry a white woman. Inadvertently following his father's advice, he ended up married to Lelia, a speech therapist. Their son died at seven when he participated in a "dog pile" gone wrong. Subsequently, Lelia wanders off periodically and then finally leaves Henry for good. Lee creates the perfect tone for Henry—distanced, but never ironic or snappish. His observations and memories have the discomfiting feel of revealing truth. He tells how his father made him recite Shakespeare to show off his English for customers, and how one day he was commanded to allow a regular customer to exit a store without paying for an apple she had bitten and returned to a shelf. "Mostly, though," says Henry, "I threw all my frustration into building those perfect, truncated pyramids of fruit." He also describes how his father employed recently arrived immigrants because they were the hardest workers. His grappling with his son's death ("You pale little boys are crushing him, your adoring mob of hands and feet, your necks and heads, your nostrils and knees, your still-sweet sweat and teeth and grunts") and the slow rapprochement between him and Lelia are wonderfully drawn. The sections on his work are somewhat more challenging, particularly since his exact job is not very clear in the beginning, but Lee's careful prose conveys an immigrant's ability to observe without participating, and an outsider's longing for place and identity.

A serious, masterful, and wholly innovative twist on first-generation-American fiction. (First printing of 30,000; first serial to Granta; Quality Paperback Book Club selection; author tour)

Pub Date: March 22, 1995

ISBN: 1-57322-001-9

Page Count: 336

Publisher: Riverhead

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Dec. 1, 1994

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

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THE VANISHING HALF

Inseparable identical twin sisters ditch home together, and then one decides to vanish.

The talented Bennett fuels her fiction with secrets—first in her lauded debut, The Mothers (2016), and now in the assured and magnetic story of the Vignes sisters, light-skinned women parked on opposite sides of the color line. Desiree, the “fidgety twin,” and Stella, “a smart, careful girl,” make their break from stultifying rural Mallard, Louisiana, becoming 16-year-old runaways in 1954 New Orleans. The novel opens 14 years later as Desiree, fleeing a violent marriage in D.C., returns home with a different relative: her 8-year-old daughter, Jude. The gossips are agog: “In Mallard, nobody married dark....Marrying a dark man and dragging his blueblack child all over town was one step too far.” Desiree's decision seals Jude’s misery in this “colorstruck” place and propels a new generation of flight: Jude escapes on a track scholarship to UCLA. Tending bar as a side job in Beverly Hills, she catches a glimpse of her mother’s doppelgänger. Stella, ensconced in White society, is shedding her fur coat. Jude, so Black that strangers routinely stare, is unrecognizable to her aunt. All this is expertly paced, unfurling before the book is half finished; a reader can guess what is coming. Bennett is deeply engaged in the unknowability of other people and the scourge of colorism. The scene in which Stella adopts her White persona is a tour de force of doubling and confusion. It calls up Toni Morrison’s The Bluest Eye, the book's 50-year-old antecedent. Bennett's novel plays with its characters' nagging feelings of being incomplete—for the twins without each other; for Jude’s boyfriend, Reese, who is trans and seeks surgery; for their friend Barry, who performs in drag as Bianca. Bennett keeps all these plot threads thrumming and her social commentary crisp. In the second half, Jude spars with her cousin Kennedy, Stella's daughter, a spoiled actress.

Kin “[find] each other’s lives inscrutable” in this rich, sharp story about the way identity is formed.

Pub Date: June 2, 2020

ISBN: 978-0-525-53629-1

Page Count: 352

Publisher: Riverhead

Review Posted Online: March 15, 2020

Kirkus Reviews Issue: April 1, 2020

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