by Chantal Thomas & translated by Moishe Black ‧ RELEASE DATE: June 1, 2003
Scholarly precision in an artful, fluid, compelling narrative: Vive la reine!
A former reader to Marie-Antoinette recalls July 1789, in an edifying and masterly first novel, winner of the Prix Femina.
Living in Vienna in 1810, elderly Agathe-Sidonie Laborde recounts her gossamer memories in Versailles as Marie-Antoinette’s deputy reader. Specifically, she recounts the haunting hours of July 14, when news reached Versailles that the Parisian mobs had stormed the Bastille, to her flight with the Queen’s favorite, Gabrielle de Polignac, to the Swiss border two days later. Laborde is a fly-on-the-wall observer of the grand, nearly surreal spectacle of Louis XVI’s court, where time is calibrated obsessively by the King’s Levee, reading of the daily temperature, hunts, meals, and Couchee. Occasionally, Laborde is called to the Queen’s bedchamber, where the devoted servant reads Marivaux or extracts from the Magazine of New French and English Fashions while feeding on the entrancing sight of her royal mistress. The days of July spread panic: the King has dismissed his Minister of Finance, sent away his army of foreign soldiers, and capitulated to the National Assembly. The “list of 286 heads that have to fall” is read by the terrified courtiers; Laborde is summoned to the Queen’s chambers to extract her jewels from their settings in order to flee with them to Metz—an escape that never occurs. French scholar and biographer Thomas (The Wicked Queen: The Origins of the Myth of Marie-Antoinette, 1999) fashions terrific suspense while providing delicious characterizations—like the cynical, mockingly powerful Diane de Polignac—and sinister touches like the slattern Panic serving the gluttonous King a dead rat. Though stung by the desertion of the royalty and horrified at the savagery of the mob, Laborde doesn’t lose her literary composure: “I have witnessed the erecting of something like an immense and perfect monument to the glory of the King, and now I was conscious only of the cracks already splitting it . . . .”
Scholarly precision in an artful, fluid, compelling narrative: Vive la reine!Pub Date: June 1, 2003
ISBN: 0-8076-1514-5
Page Count: 256
Publisher: Braziller
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
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BOOK REVIEW
by Chantal Thomas ; translated by John Cullen
by Madeline Miller ‧ RELEASE DATE: April 10, 2018
Miller makes Homer pertinent to women facing 21st-century monsters.
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A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
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PROFILES
by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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