By sardonically inhabiting the solipsistic, emotionally fraught reality of adolescence, Fam creates a startling...
In Fam's debut novel, a recent college graduate "content creator" returns home to Long Island for the funeral of her former best friend and is forced to confront her deeply painful past.
Aubrey wakes up in a psychiatric care facility, bruised and severely hung over, after taking a drunken walk along an elevated train line after the funeral of her high school best friend, Rachel. Aubrey harbors a seething anger toward Rachel and her guidance-counselor mother, Karen, but the reasons are camouflaged by a 20-something cynicism and the despairing consumption of booze. As the narrative progresses, we move between present-day Aubrey and the experimental, bored high school version and meet her then-boyfriend, Adam. Gradually, we learn that Aubrey's transit through young adulthood involved some deeply traumatic experiences which were compounded in part by her inability to trust her best friend. For years, she's walled off her feelings, becoming increasingly emotionally detached. Aubrey's future happiness depends on her ability not only to recognize what happened, but to be able to tell others without fear of reprisal. The first-person narration has a guarded, angry tone: "Who put the word 'fun' in funeral? If you really think about it, funeral sounds like it should be synonymous with 'carnival' or 'funnel cake.' But I can't think of anything fun about Rachel's funeral, except for the fact that she won't be there." The book's strident pacing, combined with its unsparing portrayal of teenage cruelty and thoughtlessness, makes Aubrey's eventual confrontation with her past a welcome relief. However, despite Aubrey's warped perspective, Fam manages to carve out enough space for the supporting characters to believably exist within the maelstrom of Aubrey's raw emotions.
By sardonically inhabiting the solipsistic, emotionally fraught reality of adolescence, Fam creates a startling coming-of-age story that is neither sentimental nor clichéd.Pub Date: Oct. 28, 2014
ISBN: 978-0-06-232807-6
Page Count: 352
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 29, 2014
Kirkus Reviews Issue: Oct. 15, 2014
Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping...
When the newly elected Vice President’s life is threatened, the Secret Service runs to nomadic soldier-of-fortune Jack Reacher (Echo Burning, 2001, etc.) in this razor-sharp update of The Day of the Jackal and In the Line of Fire that’s begging to be filmed.
Why Reacher? Because M.E. Froelich, head of the VP’s protection team, was once a colleague and lover of his late brother Joe, who’d impressed her with tales of Jack’s derring-do as an Army MP. Now Froelich and her Brooks Brothers–tailored boss Stuyvesant have been receiving a series of anonymous messages threatening the life of North Dakota Senator/Vice President–elect Brook Armstrong. Since the threats may be coming from within the Secret Service’s own ranks—if they aren’t, it’s hard to see how they’ve been getting delivered—they can’t afford an internal investigation. Hence the call to Reacher, who wastes no time in hooking up with his old friend Frances Neagley, another Army vet turned private eye, first to see whether he can figure out a way to assassinate Armstrong, then to head off whoever else is trying. It’s Reacher’s matter-of-fact gift to think of everything, from the most likely position a sniper would assume at Armstrong’s Thanksgiving visit to a homeless shelter to the telltale punctuation of one of the threats, and to pluck helpers from the tiny cast who can fill the remaining gaps because they aren’t idiots or stooges. And it’s Child’s gift to keep tightening the screws, even when nothing’s happening except the arrival of a series of unsigned letters, and to convey a sense of the blank impossibility of guarding any public figure from danger day after highly exposed day, and the dedication and heroism of the agents who take on this daunting job.
Relentlessly suspenseful and unexpectedly timely: just the thing for Dick Cheney’s bedside reading wherever he’s keeping himself these days.Pub Date: May 1, 2001
ISBN: 0-399-14861-2
Page Count: 384
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2002
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
