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THE FLAPPER, THE IMPOSTOR, AND THE STALKER

From the Inkydance Book Club Collection series

A fast-paced historical novel that is both scary and witty, a wonderful combination.

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  • Kirkus Reviews'
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In this prequel, readers discover where a feisty, chain-smoking, elderly flapper got her start—in Chicago in the Roaring ’20s with all of its frenetic craziness.

Seventeen-year-old Kathleen McPherson comes from a staid, upper-middle-class family in Minneapolis, but she is a rebel at heart. When a young classmate is murdered in the park right across from her house one night in 1923, she begins to sense danger. She decides she will absolutely not attend the women’s college that her family has picked out for her. A talented dancer, she and her gifted singer pal, Sophie Dagget, run off to Chicago. Amazingly, they both find work, but that just pulls them deeper into danger. Madcap characters proliferate. Some are good and protective, but others are as dangerous as rattlesnakes. In fact, people from Kathleen’s past in Minneapolis are more treacherous than the notorious gangsters in Chicago. Did her almost lover Chester Davidson fake his death, and is he now trying to kill her? What about wacky Ivy Schrader? Is Mrs. Vivian Davidson to be trusted? And who is this rather creepy Pritchard fellow who nonetheless seems to be a kind of guardian angel? The action never stops, and the girls—the annoying Dolly, a former classmate, also shows up—get into one scrape after another. Kathleen falls for a married man who is not really the cad that he seems. The imposter is finally revealed, and readers can have their choice of stalkers, depending on the quarry. Dietz (The Flapper, the Scientist, and the Saboteur, 2016), whose preceding novel featured Aunt Kathleen McPherson as an aging flapper and spirited amateur detective, has a wonderful time with all of it. The chapters are quite short, with each one featuring an epigraph and an appropriate cliffhanger or semicliffhanger. The author’s prose deftly captures her protagonist’s gutsiness and insouciance. Here Kathleen steals a gangster’s car left idling: “She floor boarded it down the street, howling in delight, taking the corner on two wheels.…Her face hurt from grinning.” It is hard to believe that the teenage flapper could be so savvy, so smart, such a survivor, but Dietz makes readers believe as the pages turn. The author is also a master of suspense. Not until the final pages is the stalker (or stalkers) revealed.

A fast-paced historical novel that is both scary and witty, a wonderful combination.

Pub Date: Nov. 21, 2017

ISBN: 978-1-945212-65-9

Page Count: 308

Publisher: Quill Mark Press

Review Posted Online: Aug. 31, 2018

Kirkus Reviews Issue: Oct. 15, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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