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THE SPINSTER, THE REBEL, AND THE GOVERNOR

MARGARET BRENT: PRE-COLONIAL MARYLAND 1638-1648

A robust imagining of the life of a largely unsung hero.

A historical novel inspired by the life of one of Maryland’s earliest English colonists.

Dietz, the author of The Flapper, the Imposter, and the Stalker (2017), fictionalizes the story of Margaret Brent, a wealthy Englishwoman who becomes a prominent figure in Maryland in the mid-17th century. The story opens in England, where she, along with the rest of her family, worries that her economic and social privilege may not protect her as the Protestant government increases restrictions on their Catholic faith. When her cousin Lord Baltimore encourages the Brents to consider moving to the Colony that his father established across the Atlantic, where Catholics are free to worship, Margaret is hesitant. She’s finally swayed by Baltimore’s offer of land and other rights to anyone, including women, who brings servants to settle in the Colony. Along with three of her siblings, Margaret travels to Maryland and settles into life in her new home. Although men far outnumber women there, Margaret feels that she should remain unmarried, both for religious reasons (to devote herself only to God) and to maintain her independence. She frequently appears in front of the Colony’s governing body, speaking on her own behalf as well as for other colonists in their disputes and petitions. Margaret also takes a role in the Colony’s relationship with neighboring Native Americans, even serving as foster mother to the daughter of a Piscataway chief who converts to Christianity. When conflicts with residents of other Colonies threaten the Colony, Margaret acts as a close adviser to the governor, and he names her as his representative when he dies, leading her to play an important role in saving the community. 

Although little of Margaret’s real-life history was recorded, Dietz does a good job of drawing on what’s known about her and about the early years of Maryland’s colonization to create a well-rounded, convincing portrait. Over the course of the novel, the author employs a great many vivid details (“His mossy-green silk doublet, embroidered with scrolls of golden-brown and pink-rose threads, emphasized his slashed sleeves, which in turn showed his ivory silk shirt beneath”) that bring everyday life in both England and Maryland into sharp focus. However, as a result, some readers may find the narrative to be overly wordy at times. The theme of women as a settling influence (“ ‘Worst of all,’ Margaret interrupted, ‘the country is overrun with irrational angry young men with no wives to settle them’ ”) appears throughout the book, offset by Margaret’s refusal to be anyone’s spouse, which makes for an intriguing contrast. The novel sticks closely to its protagonist’s perspective, so it does not address colonization from the point of view of the Indigenous characters, and no mention is made of enslaved people, who were also present at that time and place. For the most part, though, the book is sweeping in scope, covering Maryland’s foundational years from the perspective of a woman who played a crucial role in its existence.

A robust imagining of the life of a largely unsung hero.

Pub Date: N/A

ISBN: 978-1-9452-1238-3

Page Count: 398

Publisher: Quill Mark Press

Review Posted Online: June 28, 2022

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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I, MEDUSA

An engaging, imaginative narrative hampered by its lack of subtlety.

The Medusa myth, reimagined as an Afrocentric, feminist tale with the Gorgon recast as avenging hero.

In mythological Greece, where gods still have a hand in the lives of humans, 17-year-old Medusa lives on an island with her parents, old sea gods who were overthrown at the rise of the Olympians, and her sisters, Euryale and Stheno. The elder sisters dote on Medusa and bond over the care of her “locs...my dearest physical possession.” Their idyll is broken when Euryale is engaged to be married to a cruel demi-god. Medusa intervenes, and a chain of events leads her to a meeting with the goddess Athena, who sees in her intelligence, curiosity, and a useful bit of rage. Athena chooses Medusa for training in Athens to become a priestess at the Parthenon. She joins the other acolytes, a group of teenage girls who bond, bicker, and compete in various challenges for their place at the temple. As an outsider, Medusa is bullied (even in ancient Athens white girls rudely grab a Black girl’s hair) and finds a best friend in Apollonia. She also meets a nameless boy who always seems to be there whenever she is in need; this turns out to be Poseidon, who is grooming the inexplicably naïve Medusa. When he rapes her, Athena finds out and punishes Medusa and her sisters by transforming their locs into snakes. The sisters become Gorgons, and when colonizing men try to claim their island, the killing begins. Telling a story of Black female power through the lens of ancient myth is conceptually appealing, but this novel published as adult fiction reads as though intended for a younger audience.

An engaging, imaginative narrative hampered by its lack of subtlety.

Pub Date: Nov. 18, 2025

ISBN: 9780593733769

Page Count: 336

Publisher: Random House

Review Posted Online: Aug. 16, 2025

Kirkus Reviews Issue: Sept. 15, 2025

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