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THE SPINSTER, THE REBEL, AND THE GOVERNOR

MARGARET BRENT: PRE-COLONIAL MARYLAND 1638-1648

A robust imagining of the life of a largely unsung hero.

A historical novel inspired by the life of one of Maryland’s earliest English colonists.

Dietz, the author of The Flapper, the Imposter, and the Stalker (2017), fictionalizes the story of Margaret Brent, a wealthy Englishwoman who becomes a prominent figure in Maryland in the mid-17th century. The story opens in England, where she, along with the rest of her family, worries that her economic and social privilege may not protect her as the Protestant government increases restrictions on their Catholic faith. When her cousin Lord Baltimore encourages the Brents to consider moving to the Colony that his father established across the Atlantic, where Catholics are free to worship, Margaret is hesitant. She’s finally swayed by Baltimore’s offer of land and other rights to anyone, including women, who brings servants to settle in the Colony. Along with three of her siblings, Margaret travels to Maryland and settles into life in her new home. Although men far outnumber women there, Margaret feels that she should remain unmarried, both for religious reasons (to devote herself only to God) and to maintain her independence. She frequently appears in front of the Colony’s governing body, speaking on her own behalf as well as for other colonists in their disputes and petitions. Margaret also takes a role in the Colony’s relationship with neighboring Native Americans, even serving as foster mother to the daughter of a Piscataway chief who converts to Christianity. When conflicts with residents of other Colonies threaten the Colony, Margaret acts as a close adviser to the governor, and he names her as his representative when he dies, leading her to play an important role in saving the community. 

Although little of Margaret’s real-life history was recorded, Dietz does a good job of drawing on what’s known about her and about the early years of Maryland’s colonization to create a well-rounded, convincing portrait. Over the course of the novel, the author employs a great many vivid details (“His mossy-green silk doublet, embroidered with scrolls of golden-brown and pink-rose threads, emphasized his slashed sleeves, which in turn showed his ivory silk shirt beneath”) that bring everyday life in both England and Maryland into sharp focus. However, as a result, some readers may find the narrative to be overly wordy at times. The theme of women as a settling influence (“ ‘Worst of all,’ Margaret interrupted, ‘the country is overrun with irrational angry young men with no wives to settle them’ ”) appears throughout the book, offset by Margaret’s refusal to be anyone’s spouse, which makes for an intriguing contrast. The novel sticks closely to its protagonist’s perspective, so it does not address colonization from the point of view of the Indigenous characters, and no mention is made of enslaved people, who were also present at that time and place. For the most part, though, the book is sweeping in scope, covering Maryland’s foundational years from the perspective of a woman who played a crucial role in its existence.

A robust imagining of the life of a largely unsung hero.

Pub Date: N/A

ISBN: 978-1-9452-1238-3

Page Count: 398

Publisher: Quill Mark Press

Review Posted Online: June 28, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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BY ANY OTHER NAME

A vibrant tale of a remarkable woman.

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Who was Shakespeare?

Move over, Earl of Oxford and Francis Bacon: There’s another contender for the true author of plays attributed to the bard of Stratford—Emilia Bassano, a clever, outspoken, educated woman who takes center stage in Picoult’s spirited novel. Of Italian heritage, from a family of court musicians, Emilia was a hidden Jew and the courtesan of a much older nobleman who vetted plays to be performed for Queen Elizabeth. She was well traveled—unlike Shakespeare, she visited Italy and Denmark, where, Picoult imagines, she may have met Rosencrantz and Guildenstern—and was familiar with court intrigue and English law. “Every gap in Shakespeare’s life or knowledge that has had to be explained away by scholars, she somehow fills,” Picoult writes. Encouraged by her lover, Emilia wrote plays and poetry, but 16th-century England was not ready for a female writer. Picoult interweaves Emilia’s story with that of her descendant Melina Green, an aspiring playwright, who encounters the same sexist barriers to making herself heard that Emilia faced. In alternating chapters, Picoult follows Melina’s frustrated efforts to get a play produced—a play about Emilia, who Melina is certain sold her work to Shakespeare. Melina’s play, By Any Other Name, “wasn’t meant to be a fiction; it was meant to be the resurrection of an erasure.” Picoult creates a richly detailed portrait of daily life in Elizabethan England, from sumptuous castles to seedy hovels. Melina’s story is less vivid: Where Emilia found support from the witty Christopher Marlowe, Melina has a fashion-loving gay roommate; where Emilia faces the ravages of repeated outbreaks of plague, for Melina, Covid-19 occurs largely offstage; where Emilia has a passionate affair with the adoring Earl of Southampton, Melina’s lover is an awkward New York Times theater critic. It’s Emilia’s story, and Picoult lovingly brings her to life.

A vibrant tale of a remarkable woman.

Pub Date: Aug. 20, 2024

ISBN: 9780593497210

Page Count: 544

Publisher: Ballantine

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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