Engaging, sweeping saga of a contemporary wife and mother.

LORI

Lori Weinberg contends with her husband’s alcoholism, her daughter’s illness and her aloof mother’s Holocaust past in this piece of women’s fiction.

Lori’s husband, Jerry, falls off the wagon at their son’s wedding and is hauled off to a police station. “Can you believe the hell I’ve gone through with this man for the last thirty years?” she cries to her longtime best friend, Adele. The novel then shifts from 2001 to 1970, when Jerry takes Lori, raised in a posh North Shore suburb, into a lower-class Chicago neighborhood to meet his family. The Brills are more boisterous and strictly observant Jews than Lori’s family, which consists only of a “mom who is always sick, and a dad who is always gone.” Lori soon marries Jerry and becomes mother to Julie and Barry. Jerry works as a salesman for the dental equipment business that is only one source of income for Adele’s more successful husband, Jim. It then becomes increasingly apparent that Jerry is an alcoholic; plus, one of his brothers is always hatching financial schemes. When 14-year-old Julie is diagnosed with leukemia, Lori puts all other concerns on hold to deal with the brave girl’s journey, which includes a desire to visit Israel. As several deaths unfold, Lori forces Jerry to go into rehab in Arizona, where she meets Rain, a free-spirited woman with surprising connections to Chicago. The novel concludes in 2003, with Lori now able to stand on her own, empowered by a trip to Germany that unlocked the secrets of her now-dead mother’s sorrow. Author Wexler wrote several murder mysteries prior to penning this tale of a sheltered yet relatable woman facing a significant array of life challenges. Wexler’s scenes featuring Julie’s illness are particularly strong, being both heartfelt and heartbreaking. Lori’s attitude toward her husband is more puzzling; she often seems unsympathetic, even when his own childhood issues are exposed. Lori’s dynamics with female friends, her mother and her Jewish heritage are all intriguing but feel a bit rushed and underdeveloped within this expansive novel.

Engaging, sweeping saga of a contemporary wife and mother.

Pub Date: Aug. 14, 2014

ISBN: 978-1500431051

Page Count: 342

Publisher: CreateSpace

Review Posted Online: Dec. 8, 2014

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Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

THEN SHE WAS GONE

Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.

Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.

Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.

Pub Date: April 24, 2018

ISBN: 978-1-5011-5464-5

Page Count: 368

Publisher: Atria

Review Posted Online: Feb. 6, 2018

Kirkus Reviews Issue: Feb. 15, 2018

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The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

SUMMER ISLAND

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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