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GRANT'S FINAL VICTORY

ULYSSES S. GRANT’S HEROIC LAST YEAR

A welcome addition to the literature surrounding Grant and his time.

A lucid, often somber account of the sad but noble decline of Ulysses S. Grant.

Though he had served two terms as president, writes Flood (1864: Lincoln at the Gates of History, 2009, etc.), Grant was universally known as “General Grant.” He had left office under a shadow, several key members of his administration having been found corrupt, and he was determined to set an example as an honest businessman. And so, strangely, he went to New York to become an investment broker, where his partner swindled him out of his fortune and besmirched his name even further. With scarcely a cent to his name, Grant briefly entertained a magazine editor’s proposal that he write a series of articles on the Civil War but rejected it, saying, “I have no idea of undertaking the task of writing any of the articles the Century requests.” Yet eventually the thought of writing his own view of events became more appealling—notably when he was shortly afterward diagnosed with cancer. In excruciating pain, he wrote what has been considered one of the most important military memoirs ever produced, spurred along by friend and publisher Mark Twain (who, Flood notes, had been a deserter from the Confederate army). Writes Flood, with considerable elegance, “By deciding to give his work the full title Personal Memoirs of Ulysses S. Grant, [Grant] did himself a great favor. He could write about the things he wished to put before the reader, and omit those he did not. At one stroke, he relieved himself of the obligation to include everything he might know about a battle or a person, while reserving the right to dwell on a smaller matter or fleeting perception.” And so he did, writing of the hell and chaos of battle while suffering a second hell of his own. Upon learning of his death, Grant’s former opponent James Longstreet called him “the truest as well as the bravest man who ever lived.” In this swiftly moving narrative, Flood ably shows why he deserved the accolade.

A welcome addition to the literature surrounding Grant and his time.

Pub Date: Oct. 11, 2011

ISBN: 978-0-306-82028-1

Page Count: 352

Publisher: Da Capo

Review Posted Online: April 5, 2011

Kirkus Reviews Issue: April 15, 2011

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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