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IT’S ALL RIGHT NOW

All very true to life, in other words, with no car chases or explosions. Nothing much happens, but it does so with a...

A sprawling saga of the English suburbs, a sort of East Enders for north Londoners, that’s attracted more attention across the pond for the debut author’s age and the size of his U.S. advance than for its literary qualities.

That’s unfortunate, for 72-year-old Chadwick, who has knocked around the world and apparently draws much on his experiences here, has a quiet but assured way with a sentence. Tom Ripple, his protagonist and narrator, is a middling middle-ager when we meet him in the early 1970s; he works without satisfaction (“My job is to produce tables and charts showing trends in sales and the like”), lives with a wife with whom he shares a clenched-hair failure to communicate (“My wife does not play games, perhaps on principle. I’m not sure, I’ve never asked her”) and two children who can barely be stirred from the telly. His neighbors are strange but not overtly extraordinary (covertly, yes, to be sure), and everyone seems a bit baffled that the nation came out ahead in WWII and has got to its present state. Time passes. Tom has aged ten years, Margaret Thatcher is now in office, he’s out of the grip of his hated boss, out of his marriage and even further removed from his children, whose lives are taking contours he cannot understand. As his son inches out of the closet, Tom explains to himself that “sex, or whatever it’s called these days, isn’t everything”; just so, he scarcely recognizes London, now a world city full of strange sights and sounds. Things don’t get more comprehensible as another decade passes and the millennium approaches; Tom huffs and puffs his way uphill, literally and figuratively, acquires a wider and wiser view of things, and extends himself even as everyone else in his bewildering world finds more reason to pull up the carapace.

All very true to life, in other words, with no car chases or explosions. Nothing much happens, but it does so with a world-weary elegance, full of wintry discontent. Mature, knowing and very well done.

Pub Date: June 1, 2005

ISBN: 0-06-074286-0

Page Count: 672

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2005

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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