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INDISCRETION

Dubow’s book is a page turner that skillfully tugs at the heartstrings.

Dubow crafts an epic novel of friendship, betrayal and undying love. It's a beautifully written debut.  

Walter Gervais is a true gentleman and childhood friend of Harry Winslow’s wife, Maddy, and it’s through his eyes that the story is told. Unobtrusive and playing a rather peripheral role, at least in the beginning, he delivers a balanced and fascinating account of the events that invariably change not only his friends’ lives, but his own. Renowned author Harry and financially independent Maddy are the quintessential New York couple: attractive, socially prominent and undeniably in love. They spend their summers in Maddy’s small house in East Hampton with their son, Johnny, surrounded by a circle of friends. One evening, a beautiful younger woman accompanies her lover to a party at the couple’s house, and she gradually insinuates herself into their lives and becomes a welcomed houseguest. Claire’s attracted to Harry, but he rebuffs her and makes light of the situation, reminding her he’s married and madly in love with his wife. At summer’s end, much to Claire’s disappointment, the Winslows move to Rome for a year so Harry can begin work on his new book. When Harry’s editor summons him back to New York for a meeting with the publishers a couple of months after the move, he runs into Claire at a club, and they engage in a steamy, passionate affair that continues after Harry returns to Rome. Harry’s dilemma is that he loves both women, but he never entertains the thought of leaving his wife. But Maddy eventually discovers the deceit and leaves Harry. She returns to New York with Johnny, and Harry follows. Up to this point, the book has been an entertaining read, but it’s the latter half of the book that really seals the deal. As the couple struggles with the ruins of their relationship, the author chooses to add more unexpected layers to the story that elevate it from run-of-the-mill to outstanding.

Dubow’s book is a page turner that skillfully tugs at the heartstrings.

Pub Date: Feb. 5, 2013

ISBN: 978-0-06-220105-8

Page Count: 352

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 10, 2012

Kirkus Reviews Issue: Nov. 1, 2012

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A GENTLEMAN IN MOSCOW

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...

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Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.

Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.

A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility(2011).

Pub Date: Sept. 6, 2016

ISBN: 978-0-670-02619-7

Page Count: 480

Publisher: Viking

Review Posted Online: June 20, 2016

Kirkus Reviews Issue: July 1, 2016

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THE MOST FUN WE EVER HAD

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet...

Four Chicago sisters anchor a sharp, sly family story of feminine guile and guilt.

Newcomer Lombardo brews all seven deadly sins into a fun and brimming tale of an unapologetically bougie couple and their unruly daughters. In the opening scene, Liza Sorenson, daughter No. 3, flirts with a groomsman at her sister’s wedding. “There’s four of you?” he asked. “What’s that like?” Her retort: “It’s a vast hormonal hellscape. A marathon of instability and hair products.” Thus begins a story bristling with a particular kind of female intel. When Wendy, the oldest, sets her sights on a mate, she “made sure she left her mark throughout his house—soy milk in the fridge, box of tampons under the sink, surreptitious spritzes of her Bulgari musk on the sheets.” Turbulent Wendy is the novel’s best character, exuding a delectable bratty-ness. The parents—Marilyn, all pluck and busy optimism, and David, a genial family doctor—strike their offspring as impossibly happy. Lombardo levels this vision by interspersing chapters of the Sorenson parents’ early lean times with chapters about their daughters’ wobbly forays into adulthood. The central story unfurls over a single event-choked year, begun by Wendy, who unlatches a closed adoption and springs on her family the boy her stuffy married sister, Violet, gave away 15 years earlier. (The sisters improbably kept David and Marilyn clueless with a phony study-abroad scheme.) Into this churn, Lombardo adds cancer, infidelity, a heart attack, another unplanned pregnancy, a stillbirth, and an office crush for David. Meanwhile, youngest daughter Grace perpetrates a whopper, and “every day the lie was growing like mold, furring her judgment.” The writing here is silky, if occasionally overwrought. Still, the deft touches—a neighborhood fundraiser for a Little Free Library, a Twilight character as erotic touchstone—delight. The class calibrations are divine even as the utter apolitical whiteness of the Sorenson world becomes hard to fathom.

Characters flip between bottomless self-regard and pitiless self-loathing while, as late as the second-to-last chapter, yet another pleasurable tendril of sisterly malice uncurls.

Pub Date: June 25, 2019

ISBN: 978-0-385-54425-2

Page Count: 544

Publisher: Doubleday

Review Posted Online: March 3, 2019

Kirkus Reviews Issue: March 15, 2019

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