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A NEARLY NORMAL LIFE

A MEMOIR

Frank memoirs of an adolescence shaped by a bout with polio that changed forever the author’s body and psyche. This slice of very personal history comes from a man better known for his plays and his diplomatic and political writings (The End of Order: Versailles 1919, 1980, etc.). Mee was stricken with spinal polio in the summer of 1953, when he was 14 years old. From a healthy, athletic 160-pounder, he was rapidly transformed into a weak 90-pounder able to move only three fingers of one hand. Threaded through his recollections of his hospitalization and rehabilitation is a brief history of the disease, including a vivid portrait of the culture of fear it engendered, the role of Franklin Delano Roosevelt in the National Foundation for Infantile Paralysis and the March of Dimes, Sister Kenny’s excruciating therapeutic techniques, and the search for vaccines by Jonas Salk and Albert Sabin. Even more fascinating are his accounts of the useless medical and surgical treatments performed by doctors anxious to do something, anything, for their young patients. The heart of Mee’s story, however, is his confrontation with the reality of what happened to him. Deeply ingrained with the ideal of the normal—he gives a wonderful picture of middle-American normality of the 1950s complete with paint-by-numbers art, Father Knows Best, and stay-at-home moms raising football-playing sons and cheerleader daughters—Mee could not deny his own deviance from that normality as he struggled to pass for a normal teenager. Fortunately, the world of books and the mind opened to him, and he pays tribute to those who helped him find his way there. Mee ends these memoirs with his leaving home for Harvard, but an epilogue provides a glimpse of the nearly normal life he created for himself in the years that followed. A reminder of a past era of conformity and a clear depiction of what it means to be an outsider.

Pub Date: Feb. 1, 1999

ISBN: 0-316-55852-4

Page Count: 272

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 15, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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