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THE RIFLING

A novel within a novel that’s well worth a read.

Awards & Accolades

Our Verdict

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McRaven (Build Me a Tower, 2016, etc.) offers a tale of violence, revenge, and love in the early American republic, interlocked with a love story set two centuries later.

In the late 1700s, Adam Kyle is a noted Revolutionary War gunsmith whose young wife and two children are killed when an infamous villain known as Red Beard shoots it out with a ragtag militia. Adam pursues him from Pennsylvania all the way to the Carolinas, where, he’s told, Red Beard dies of his wounds and lowland fever. A broken Adam moves to eastern Tennessee to try to begin anew. Two hundred years down the line, David Kyle, one of Adam’s many descendants, is a restorer of cabins (just as author McRaven is). His cousin Dane’s widow, Harriet, has inherited a piece of property with a run-down cabin on it—the very cabin that Adam built for his betrothed, Constance Green, so many years ago. David and Harriet fall in love, and while restoring the cabin, they discover an old manuscript telling the true story of Adam, his courtship of Constance, and his dealings with the mysterious, ambitious John Cabell. A sidebar to this story involves the legendary “super rifle” that Adam built for Cabell, since lost. Gradually, Adam and others begin to suspect that there is something mysterious about Cabell—something, in fact, that’s unsavory. In good time and dramatic fashion, the storylines of the Kyle clan of eastern Tennessee come to a ripping conclusion. Overall, McRaven is a talented writer who’s created, in David, an especially believable and likable narrator. At the same time that David and Harriet are editing the manuscript that they discovered in the cabin, the author cleverly depicts David restoring the cabin itself, showing how Adam and his story are in the process of being figuratively restored. Readers also get some intriguing snippets of McRaven’s own expertise (smithing, masonry, and so on) along the way.

A novel within a novel that’s well worth a read.

Pub Date: Sept. 15, 2017

ISBN: 978-1-944962-37-1

Page Count: 388

Publisher: Secant Publishing

Review Posted Online: Sept. 28, 2017

Kirkus Reviews Issue: Nov. 1, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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