Astute prose and an unwavering pace energized by first-rate characters and subplots.
In this ninth volume of Breakfield and Burkey’s (The Enigma Broker, 2017, etc.) techno-thriller series, a covert team tracks groups who are moving information and funds using nondigital means.
The latest assignment for Julie and Juan Rodríguez’s Cyber Assassin Technology Services involves more footwork than is typical for them. Julie dispatches team members to various locales from Panama to Singapore to track “AIMs”—“analog information mules” working for a global energy company called ePETRO. The AIMs handle business transactions by word of mouth in order to subvert any digital surveillance. Marge Barger and Mike Patrick of ePETRO have good reason for maintaining secrecy, as they’re currently buying oil illegally from Muslim terrorists and selling it to the North Korean government. Julie goes undercover as a woman named Jackeline Cooper and lands a job at ePETRO’s London office, while other CATS members, including Tyler Hebert and Ernesto Gleen in New York, search for AIMs in order to record the contacts that they make. It’s not as mundane as it sounds, as information mules aren’t easy to trail. But then CATS members, including Julie, inexplicably vanish, and Juan and the remaining members must ensure that everyone gets home safely as they attempt to thwart ePETRO’s nefarious plans. By this point in their long-running series, Breakfield and Burkey have mastered the art of telling a story with myriad characters. They’ve amassed a wealth of recurring heroes, which, in this installment, generates a wide variety of storylines; CATS member Brayson Morris in Panama, for example, is apparently disenchanted and may be ready to leave the team. However, it’s the villains that steal the spotlight this time around. There’s obvious dissention among them, resulting in a string of double-crossings and scenes that brim with tension. Marge and Mike, in particular, aren’t telling each other everything; for example, a solo Marge strives to meet the North Koreans’ demand for uranium on her own. This second CATS-centric installment (after 2016’s The Enigma Gamers) will leave readers yearning for more.
Astute prose and an unwavering pace energized by first-rate characters and subplots.Pub Date: Sept. 29, 2017
ISBN: 978-1-946858-24-5
Page Count: 360
Publisher: ICABOD Press
Review Posted Online: Dec. 8, 2017
Kirkus Reviews Issue: Jan. 15, 2018
Review Program: Kirkus Indie
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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