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GINNY GALL

A riveting protagonist moves through unbearable racial carnage into a kind of legend.

A violent and sorrowful Jim Crow South brims in this brutal novel.

For his 17th book, poet and novelist Smith creates a harrowing, luminous Jim Crow story that takes its title from “a negro name, Ginny Gall, for the hell beyond hell, hell’s hell.” The terrain is so frequently hellish—lynchings, firebombings, beatings, rapes—that one wonders how Smith stomached the work. His writing, in its lyricism, makes a queasy juxtaposition between horror and beauty. The story hinges on a reimagining of the Scottsboro Boys trials, in which nine African-American youth were railroaded on false rape charges. This novel begins “on the hot July day in 1913 exactly fifty years after the final day of the Battle of Gettysburg, a day uncelebrated in Chattanooga.” A prostitute named Cappie Florence gives birth to her fourth child, Delvin Walker, who becomes the Bigger Thomas–like protagonist here. The birth is perilous, the child—who reads at an astonishingly early age—is pronounced “wonderanemous,” and the reader is gulled into thinking the story might be picaresque. Instead, Cappie flees police before Page 20 when Delvin isn’t yet 5. He and his siblings are dumped into a foundling home, but the resourceful child finds himself, some two years later, apprenticed to a prosperous African-American funeral home director. Smith divides his novel into four books, and to start Book 2, he conjures a racial misunderstanding that puts teenage Delvin on the road at the cusp of the Great Depression. The adolescent traveler, like this novel, is ruminative, and for long stretches, his story is more pastoral than propulsive. Smith writes lushly, with a painterly eye. He depicts a mesmerizing, theologically rich funeral for a lynched man; Delvin’s yearning for a college girl with whom he has one afternoon of rapturous conversation is achingly, gorgeously executed. Everywhere racism chars these pages. By Book 3, armed white men have forced Delvin and his doomed cohort off a Memphis-bound train. The writing can be a touch ripe: here is a man without consequence shutting a door in the street: “The sound was like a last clap of a civilization closing up.” Still, for the resilient reader, a spell is cast.

A riveting protagonist moves through unbearable racial carnage into a kind of legend.

Pub Date: Feb. 2, 2016

ISBN: 978-0-06-225055-1

Page Count: 464

Publisher: Harper/HarperCollins

Review Posted Online: Nov. 18, 2015

Kirkus Reviews Issue: Dec. 1, 2015

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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