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LEFTOVER DREAMS

Allen's 27th novel details the generally unremarkable lives of two Canadian sisters, from their miserable Toronto childhood to one sibling's success in London as the owner of a chain of copy shops: a ho-hum Cinderella tale in which the bad guys may be repulsive, but the good guys are fatally dull. Since her early 20s, when her husband abandoned her with two young children to raise, Maggie—Faye and Louise Parker's beautiful mother—has hated men. Depending for emotional gratification on sporadic trysts with her boss at the Toronto umbrella factory where she works, Maggie works out the rest of her frustration by verbally and physically abusing her intelligent, well-behaved daughters. Still, Faye and Louise manage to hang onto their self-respect until their teen years, when, as Maggie takes up a more lucrative career as a call girl, the sisters flee to the welcoming arms of their saintly grandmother. Unfortunately, though, the rescue proves too late for Faye: the sensitive girl's dreams of a quiet home and family with her longtime boyfriend, Raffie, are forever destroyed when Faye dies of a botched, illegal abortion. Grief-stricken and virtually alone at age 18, Louise strikes out for London to put her miserable past behind her, but finds she can't enjoy her own brighter fate—a close circle of friends, success in business, and the love of a middle-aged obstetrician—until she's solved the mystery of Faye's pregnancy and death, and made peace with the powerful forces in her past. Bland, sensible characters and endless pages of descriptive detail smother the plot's dramatic potential. Leftover dreams, in this case at least, don't make for a satisfying meal.

Pub Date: March 1, 1992

ISBN: 0-385-41944-9

Page Count: 688

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1992

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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