by Cher Fischer ‧ RELEASE DATE: May 15, 2012
Fischer’s debut may come off as preachy to all but the most avid friends of planet earth.
A nature lover turns amateur detective in a story that combines mystery with relentless do-gooding.
When Dr. Esmeralda Green is the unlucky witness to a body being dragged up a cliff, she can’t help recalling the suicide of her best friend, who jumped from the same cliff some 20 years earlier. Charlene Pryce and Ez were always Charlie and Emerald to one another. They were so close that Ez was shocked by her friend’s death. In an even more shocking turn, the victim this time is Abigail Pryce, who, as the daughter of Charlie’s brother Anthony, would have been Charlie’s niece. The police are calling the death a homicide, and Ez knows that she has to find out the truth. Turning to Anthony for answers, Ez is glad to hear that Abigail was hard at work investigating abuses of nature. As an eco-psychologist, Ez has an appreciation for the riches of beautiful Majorca Point, Los Angeles, and is proud that Abigail grew to love the natural world as her aunt did. Though Ez can’t imagine who would want to hurt the young Abigail, it seems as though she may be in danger from the same culprits. Her sometime beau Gabriel Hugo García wishes he could keep Ez safe—if only she weren’t too stubborn to admit she needed his help.
Fischer’s debut may come off as preachy to all but the most avid friends of planet earth.Pub Date: May 15, 2012
ISBN: 978-1-61822-007-3
Page Count: 340
Publisher: Ashland Creek Press
Review Posted Online: March 18, 2012
Kirkus Reviews Issue: April 1, 2012
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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