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SUGAR BIRDS

An engrossing tale of survival and redemption in the Pacific Northwest.

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In this novel, the lives of two girls intersect in the woods of Washington state.

Ten-year-old Agate “Aggie” Hayes loves nothing more than climbing the massive fir trees that stand near her family’s home and sketching the bird nests she finds there. But her mother has instructed the girl to remain on the ground—climbing is too dangerous—and Aggie is wary of tempting her unstable parent’s anger. Sulking over a recent punishment, Aggie lights a small campfire that unintentionally torches the woods by her family’s cabin and burns it to the ground. Believing her parents dead in the blaze, Aggie flees into the wilderness, afraid of what might happen if she’s blamed for the crime. Meanwhile, 16-year-old Celia Burke is left by her father at her grandmother’s house for an indeterminate amount of time, far away from her friends back in Houston. She plans to skip town at the first opportunity, but when she hears of the fire at the Hayes home—and the fact that the daughter, Aggie, is missing—she can’t help but get invested. (Particularly after getting a peek at one of the other searchers, the handsome Cabot Dulcie.) As Aggie tries to stay alive and Celia attempts to find her, their stories become increasingly intertwined. Bostrom’s prose is propulsive and detailed, as here where Aggie cleans up after a scavenged lunch to avoid detection: “Rousing, she poured the rest of her seed into the bottle with the milk, pushed the waxy lid back into place, and scattered duff over her makeshift kitchen to erase it. No walkers or riders or dogs would stumble over her.” Aggie is a wonderfully magnetic character: a scrappy, stubborn preteen whose father has taught her to survive off the land. Celia balances out the tale with her suburban angst and sarcasm, but the supporting characters are equally strong, including the teenager’s bird biologist grandmother and Aggie’s autistic brother, Burnaby. The book contains an unexpected villain as well, who provides some added danger to the mix. While not always completely believable, the story is a true page-turner all the way to the end.

An engrossing tale of survival and redemption in the Pacific Northwest.

Pub Date: Aug. 3, 2021

ISBN: 978-1-64742-068-0

Page Count: 328

Publisher: She Writes Press

Review Posted Online: March 24, 2021

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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