Thoroughly likable debut fiction (the first of a trilogy), narrated in an old-fashioned leisurely style with enough...


From the Morningside Heights series , Vol. 1

A first novel by Mendelson (Home Comforts, not reviewed) follows the intersecting fortunes of a group of friends and neighbors who live in an enclave of Manhattan’s Upper West Side.

Morningside Heights is one of those pleasant, dull neighborhoods that used to be common in New York. Built largely as a preserve for the well-to-do, it began a long decline during the Depression and for many decades muddled along with a kind of seedy sophistication that was typical in the pre-Guiliani era. When Anne and Charles Braithwaite moved to the Heights in the early ’80s it was a great place to live: adjacent to Columbia University, inexpensive but richly endowed with good schools, bookstores, churches, and parks. Charles was a singer at the Metropolitan Opera, Anne a concert pianist who had stopped performing to devote herself to their three children. By the late ’90s, however, soaring real estate prices had changed the character of the place as families and retirees could no longer afford the rents. When Anne discovers she’s pregnant again, she and Charles reluctantly decide to look for a bigger place in the suburbs—but just then they learn that Anne has been named primary beneficiary in the will of the late Elizabeth Miller, who had lived across the hall from them. Elizabeth, 103 when she died, had never married and for more than 20 years had placed all her business affairs in the hands of Eugene Becker, a shady lawyer who claims that Elizabeth was essentially bankrupt and that at any rate she had made a later will in his favor. Anne and Charles are willing to let the matter pass, but they can’t help wondering: If Elizabeth was truly broke, why did Becker go to the bother of drawing up a new will for her?

Thoroughly likable debut fiction (the first of a trilogy), narrated in an old-fashioned leisurely style with enough subplots, mysteries, and denouements to keep any reader engaged for the duration.

Pub Date: June 17, 2003

ISBN: 0-375-50836-8

Page Count: 340

Publisher: Random House

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2003

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While a few weeks ago it seemed as if Praeger would have a two month lead over Dutton in their presentation of this Soviet best seller, both the "authorized" edition (Dutton's) and the "unauthorized" (Praeger's) will appear almost simultaneously. There has been considerable advance attention on what appears to be as much of a publishing cause celebre here as the original appearance of the book in Russia. Without entering into the scrimmage, or dismissing it as a plague on both your houses, we will limit ourselves to a few facts. Royalties from the "unauthorized" edition will go to the International Rescue Committee; Dutton with their contracted edition is adhering to copyright conventions. The Praeger edition has two translators and one of them is the translator of Doctor Zhivago Dutton's translator, Ralph Parker, has been stigmatized by Praeger as "an apologist for the Soviet regime". To the untutored eye, the Dutton translation seems a little more literary, the Praeger perhaps closer to the rather primitive style of the original. The book itself is an account of one day in the three thousand six hundred and fifty three days of the sentence to be served by a carpenter, Ivan Denisovich Shukhov. (Solzhenitsyn was a political prisoner.) From the unrelenting cold without, to the conditions within, from the bathhouse to the latrine to the cells where survival for more than two weeks is impossible, this records the hopeless facts of existence as faced by thousands who went on "living like this, with your eyes on the ground". The Dutton edition has an excellent introduction providing an orientation on the political background to its appearance in Russia by Marvin Kalb. All involved in its publication (translators, introducers, etc.) claim for it great "artistic" values which we cannot share, although there is no question of its importance as a political and human document and as significant and tangible evidence of the de-Stalinization program.

Pub Date: June 15, 1963

ISBN: 0451228146

Page Count: 181

Publisher: Praeger

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: June 15, 1963

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Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the...


Hannah’s sequel to Firefly Lane (2008) demonstrates that those who ignore family history are often condemned to repeat it.

When we last left Kate and Tully, the best friends portrayed in Firefly Lane, the friendship was on rocky ground. Now Kate has died of cancer, and Tully, whose once-stellar TV talk show career is in free fall, is wracked with guilt over her failure to be there for Kate until her very last days. Kate’s death has cemented the distrust between her husband, Johnny, and daughter Marah, who expresses her grief by cutting herself and dropping out of college to hang out with goth poet Paxton. Told mostly in flashbacks by Tully, Johnny, Marah and Tully’s long-estranged mother, Dorothy, aka Cloud, the story piles up disasters like the derailment of a high-speed train. Increasingly addicted to prescription sedatives and alcohol, Tully crashes her car and now hovers near death, attended by Kate’s spirit, as the other characters gather to see what their shortsightedness has wrought. We learn that Tully had tried to parent Marah after her father no longer could. Her hard-drinking decline was triggered by Johnny’s anger at her for keeping Marah and Paxton’s liaison secret. Johnny realizes that he only exacerbated Marah’s depression by uprooting the family from their Seattle home. Unexpectedly, Cloud, who rebuffed Tully’s every attempt to reconcile, also appears at her daughter’s bedside. Sixty-nine years old and finally sober, Cloud details for the first time the abusive childhood, complete with commitments to mental hospitals and electroshock treatments, that led to her life as a junkie lowlife and punching bag for trailer-trash men. Although powerful, Cloud’s largely peripheral story deflects focus away from the main conflict, as if Hannah was loath to tackle the intractable thicket in which she mired her main characters.

Unrelenting gloom relieved only occasionally by wrenching trauma; somehow, though, Hannah’s storytelling chops keep the pages turning even as readers begin to resent being drawn into this masochistic morass.

Pub Date: April 23, 2013

ISBN: 978-0-312-57721-6

Page Count: 416

Publisher: St. Martin's

Review Posted Online: Feb. 18, 2013

Kirkus Reviews Issue: March 1, 2013

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