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THE LADY LEATHERNECKS

An often well-told, if occasionally puzzling, tale of a Semper Fi sisterhood.

In Kelly’s debut novel, four young women bond in the U.S. Marine Corps.

In 2001, Allyn Kend, who works at a Starbucks in Manhattan, enlists in the Marines. Her fiancé, Eliot Michaels, is already a lance corporal, and she wonders in what ways the corps will change her. At the Parris Island training installation in South Carolina, she meets fellow recruits, including wealthy Forsythia “Syth” Sangiorgio; Korean-American YeonBi “Bibi” Shim; and devoted Christian Jessica “Jezi” Kellerman. These new recruits, known as “turkey gobblers,” endure the break-’em-down, build-’em-up rigors of boot camp, determined to join the few and the proud. They must prove themselves physically and mentally fit as they gain expertise in rescue and rifles, survive on half-rations and learn to stand up for each other. After the Twin Towers fall on September 11, the significance of their commitment to military service deepens. Brusque superiors abound; one needles Allyn for her masculine-sounding name: “[A]re you really a boy sneaking in here to cuddle up with the ladies?” In brief, personal moments, the women reflect upon their love lives; Allyn is on track to wed Eliot but can’t forget her passion for the married Hector Archuleta. The novel pairs solid characterization with the authentic feel of military life, providing an inside look at daily rituals, military protocol and fledgling friendships among the Marines. Especially touching is the story of Lance Cpl. Jezi inspiring the privileged Cpl. Gabriel Lassiter to do the right thing. The dialogue is often fine, but the prose can be awkward: “Allyn’s wedding cake, I was determined, would crown her portfolio ready for the bigger and better.” Initially, the tale is undermined by its jumpy structure (providing, for example, two different characters’ points of view of the same conversation in separate sections), and it can be repetitive and confusing. The many-layered plot also touches on sex trafficking, pregnancy both in and out of wedlock, family dramas back home, moral dilemmas and suicide. However, the story’s focus strengthens toward the end.

An often well-told, if occasionally puzzling, tale of a Semper Fi sisterhood.

Pub Date: Aug. 18, 2013

ISBN: 978-1490420615

Page Count: 372

Publisher: CreateSpace

Review Posted Online: April 14, 2014

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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