Six short stories, five of them about characters from Crutcher's novels. The protagonists are involved in sports, but the real theme is growing—grappling with something tough and finding the courage to carry on. For instance, in ``A Brief Moment in the Life of Angus Bethune'' (originally published in Connections, 1989, edited by Don Gallo), huge Angus has been elected Senior Winter Ball King as a joke: he can't dance. Too proud to stay away yet terrified to go, his problems are complicated by his secret love for the elected queen and by the fact that kids have always teased him because both his parents are gay. With wry courage, Angus achieves a triumph that should lighten any reader's spirits. The so-vulnerable Lionel (Stotan!) tries desperately to forgive the boy who caused his parents' and brother's deaths; less successfully, ``Telephone Man'' (The Crazy Horse Electric Game) is slowly loosening the heavy racism placed on him by his beloved father. In ``The Pin,'' Johnny wrestles his father in a can't-win battle neither wants to win—or lose; ``The Other Pin'' is about a wrestler in love with the girl he's supposed to beat at an upcoming match. Finally, ``In the Time I Get,'' Louie Banks (Running Loose) overcomes another kind of prejudice when he befriends a stranger who has AIDS. An involving group of stories, somewhat uneven in focus but all thought-provoking and discussable. (Fiction. 12-15)
Pub Date: Oct. 23, 1991
ISBN: 0-688-10816-4
Page Count: 160
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1991
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point.
After Hitler appoints Bruno’s father commandant of Auschwitz, Bruno (nine) is unhappy with his new surroundings compared to the luxury of his home in Berlin.
The literal-minded Bruno, with amazingly little political and social awareness, never gains comprehension of the prisoners (all in “striped pajamas”) or the malignant nature of the death camp. He overcomes loneliness and isolation only when he discovers another boy, Shmuel, on the other side of the camp’s fence. For months, the two meet, becoming secret best friends even though they can never play together. Although Bruno’s family corrects him, he childishly calls the camp “Out-With” and the Fuhrer “Fury.” As a literary device, it could be said to be credibly rooted in Bruno’s consistent, guileless characterization, though it’s difficult to believe in reality. The tragic story’s point of view is unique: the corrosive effect of brutality on Nazi family life as seen through the eyes of a naïf. Some will believe that the fable form, in which the illogical may serve the objective of moral instruction, succeeds in Boyne’s narrative; others will believe it was the wrong choice.
Certain to provoke controversy and difficult to see as a book for children, who could easily miss the painful point. (Fiction. 12-14)Pub Date: Sept. 12, 2006
ISBN: 0-385-75106-0
Page Count: 224
Publisher: David Fickling/Random
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in...
This is almost like a play for 18 voices, as Grimes (Stepping Out with Grandma Mac, not reviewed, etc.) moves her narration among a group of high school students in the Bronx.
The English teacher, Mr. Ward, accepts a set of poems from Wesley, his response to a month of reading poetry from the Harlem Renaissance. Soon there’s an open-mike poetry reading, sponsored by Mr. Ward, every month, and then later, every week. The chapters in the students’ voices alternate with the poems read by that student, defiant, shy, terrified. All of them, black, Latino, white, male, and female, talk about the unease and alienation endemic to their ages, and they do it in fresh and appealing voices. Among them: Janelle, who is tired of being called fat; Leslie, who finds friendship in another who has lost her mom; Diondra, who hides her art from her father; Tyrone, who has faith in words and in his “moms”; Devon, whose love for books and jazz gets jeers. Beyond those capsules are rich and complex teens, and their tentative reaching out to each other increases as through the poems they also find more of themselves. Steve writes: “But hey! Joy / is not a crime, though / some people / make it seem so.”
At the end of the term, a new student who is black and Vietnamese finds a morsel of hope that she too will find a place in the poetry. (Fiction. 12-15)Pub Date: Jan. 1, 2001
ISBN: 0-8037-2569-8
Page Count: 176
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2001
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