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The Heirloom Girls

Romantic and tumultuous adventures that vividly distill a century of battles for women’s equality.

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A novel follows several generations of women in a lineage inspired by an ancient amulet.

Hurricane Sandy is bearing down on New York City’s Rockaway Peninsula. Seventeen-year-old Maya Jones arrives at the Sea View Nursing Home to rescue her 105-year-old great-grandmother Maddy Rosario. Maya instructs Maddy to bring only important keepsakes, including a portrait of her mother and some framed pictures. There’s also a crystalline amulet—which can’t be found. When the women get stuck in the nursing home elevator, the narrative flashes back to 1905, to the life of Madeline Gallacuty, who’s been branded hysterical and is receiving the dismally confining Cure. While confined to her room for six weeks, she finds a crystal pendant hidden in her vanity’s drawer. An accompanying note says, “Know who you are,” signed, The Whale Rider. Once wearing the pendant, Madeline summons the strength of character to forge her own path in life, marry the man of her choosing, and become an advocate for women’s equality. Later, the meteorite-infused crystal ennobles Maddy, a fun-loving 1920s girl; Marjorie Berthe Hansman, a midcentury painter; and Mary Jane Johnson, a women’s libber active in 1970s India, to focus their talents and make strides for gender equality. Culler (101 Ways Your Mother Said You Could Die, 2015, etc.) uses a tense framing sequence to invigorate glimpses into eras when women were considered delicate, obedient, and often beneath notice. The flashbacks are rife with pointedly heartbreaking moments, as when Madeline’s cousin Lucy Fleming tells her, “Your highest duty in marriage is to suffer and be still.” Culler emphasizes not only the feminist, but the humanist perspective as well when World War I veteran Martin Amberfitch thinks: “Surely it was time to rebuild the world, not wallow in its distracting luxuries.” The nested tales are so lovingly rendered that readers will likely wish for further flashbacks to illuminate the lives of the Celtic Queen Cartimandua—in whose tomb the jewel originated—and Mr. Gallacuty’s part-Maori stepsister, The Whale Rider herself.

Romantic and tumultuous adventures that vividly distill a century of battles for women’s equality.

Pub Date: Feb. 29, 2016

ISBN: 978-0-692-63521-6

Page Count: 358

Publisher: CreateSpace

Review Posted Online: April 15, 2016

Kirkus Reviews Issue: May 15, 2016

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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