Just another masterwork from the multiple Caldecott medalist, shimmering with light, life, and deep thoughts.
An ode to friendship on wings of rhyme. Also feathers.
Firmly clapping back at urbanites who regard pigeons as pests, Raschka offers avian flocks rendered with typically energetic brushwork in gemlike, often wildly fantastical hues, swirling lyrically around skyscrapers and apartment buildings, perching on ledges and stoplights, pecking beneath picnic tables, socializing in the park, or pairing off in flight to bill and coo. Though often parsed out to just a phrase or two per page, the accompanying verse likewise wings along, as a brown-skinned child, watching the birds “in their tumbling flocks / soaring past the courthouse clock,” wonders “where…friends come from.” This child then perches on the same park bench as a lighter-skinned child. Closer looks at the distinctive colors and shimmering highlights on the birds at her feet accompany further thoughts: “How do two friends find each other? / Why choose this one, not another?” But if, in the end, conclusions remain elusive (“I suppose it’s in the air. / All my answers are up there”), these two new friends, at least, are as close as the nearest touch or shared glance. Along with casting bright, joyful light on some ubiquitous yet often unappreciated natural wonders, this heady outing irresistibly invites young readers into a ruminative frame of mind. (This book was reviewed digitally with 8-by-21-inch double-page spreads viewed at 71% of actual size.)
Just another masterwork from the multiple Caldecott medalist, shimmering with light, life, and deep thoughts. (Picture book. 6-8)Pub Date: Sept. 29, 2020
ISBN: 978-1-4814-8627-9
Page Count: 40
Publisher: Richard Jackson/Atheneum
Review Posted Online: June 15, 2020
Kirkus Reviews Issue: July 1, 2020
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
A close encounter of the best kind.
Left behind when the space bus departs, a child discovers that the moon isn’t as lifeless as it looks.
While the rest of the space-suited class follows the teacher like ducklings, one laggard carrying crayons and a sketchbook sits down to draw our home planet floating overhead, falls asleep, and wakes to see the bus zooming off. The bright yellow bus, the gaggle of playful field-trippers, and even the dull gray boulders strewn over the equally dull gray lunar surface have a rounded solidity suggestive of Plasticine models in Hare’s wordless but cinematic scenes…as do the rubbery, one-eyed, dull gray creatures (think: those stress-busting dolls with ears that pop out when squeezed) that emerge from the regolith. The mutual shock lasts but a moment before the lunarians eagerly grab the proffered crayons to brighten the bland gray setting with silly designs. The creatures dive into the dust when the bus swoops back down but pop up to exchange goodbye waves with the errant child, who turns out to be an olive-skinned kid with a mop of brown hair last seen drawing one of their new friends with the one crayon—gray, of course—left in the box. Body language is expressive enough in this debut outing to make a verbal narrative superfluous.
A close encounter of the best kind. (Picture book. 6-8)Pub Date: May 14, 2019
ISBN: 978-0-8234-4253-9
Page Count: 40
Publisher: Margaret Ferguson/Holiday House
Review Posted Online: Feb. 5, 2019
Kirkus Reviews Issue: March 1, 2019
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