Earnest and conventional takes on growing up, too carefully wrought to resonate.



A first novel about five girls raised in the same town trying to survive painful childhoods and learn how to live on their own.

Like many MFAs, Fitzpatrick writes polished, elegant prose in service of a plot so carefully crafted and a concept so painstakingly worked out that the end result is a wan, bloodless read. Tanya, Mia, Gwen, Emma, and Claire all grew up in Springfield, Massachusetts. All were friends at one time or another, some closer than others, and all are terminally self-absorbed and despairing—these are not the plucky March girls cheerfully taking troubles on the chin. Tanya, who lives in a rundown part of the town, has a sadistic brother who locks her in a closet until her overworked single mother takes action. Mia’s mentally ill father committed suicide when she was young; later, after she graduated from high school and went to college in Boston, she eased her grief by taking drugs and drinking too much. After her friend Emma is murdered back home and another college friend continues to self-destruct, Mia realizes she can save only herself. Gwen, another member of the quintet, is a beauty, but her life is shadowed by her Vietnam vet father’s drinking and a brutal sexual assault in college. Before she was murdered at 19, Emma had survived a lonely childhood as her hardworking mother tried to raise her without the help of her deadbeat alcoholic dad. Many of the chapters are narrated by Claire, who recalls her worries when brother Steve served in the Gulf War and chronicles her worst summer, the one before she moved to Boston, when a neighbor immolated herself and a thug tried to attack her while she was swimming. Claire then relates how she finally broke away from an abusive college boyfriend and moved to New York . . . to be a writer.

Earnest and conventional takes on growing up, too carefully wrought to resonate.

Pub Date: July 3, 2001

ISBN: 0-06-019769-2

Page Count: 272

Publisher: HarperCollins

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 1, 2001

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A strict report, worthy of sympathy.


A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Shalvis’ latest retains her spark and sizzle.


Piper Manning is determined to sell her family’s property so she can leave her hometown behind, but when her siblings come back with life-changing secrets and her sexy neighbor begins to feel like “The One,” she might have to redo her to-do list.

As children, Piper and her younger siblings, Gavin and Winnie, were sent to live with their grandparents in Wildstone, California, from the Congo after one of Gavin’s friends was killed. Their parents were supposed to meet them later but never made it. Piper wound up being more of a parent than her grandparents, though: “In the end, Piper had done all the raising. It’d taken forever, but now, finally, her brother and sister were off living their own lives.” Piper, the queen of the bullet journal, plans to fix up the family’s lakeside property her grandparents left the three siblings when they died. Selling it will enable her to study to be a physician’s assistant as she’s always wanted. However, just as the goal seems in sight, Gavin and Winnie come home, ostensibly for Piper’s 30th birthday, and then never leave. Turns out, Piper’s brother and sister have recently managed to get into a couple buckets of trouble, and they need some time to reevaluate their options. They aren’t willing to share their problems with Piper, though they’ve been completely open with each other. And Winnie, who’s pregnant, has been very open with Piper’s neighbor Emmitt Reid and his visiting son, Camden, since the baby’s father is Cam’s younger brother, Rowan, who died a few months earlier in a car accident. Everyone has issues to navigate, made more complicated by Gavin and Winnie’s swearing Cam to secrecy just as he and Piper try—and fail—to ignore their attraction to each other. Shalvis keeps the physical and emotional tension high, though the siblings’ refusal to share with Piper becomes tedious and starts to feel childish.

Shalvis’ latest retains her spark and sizzle.

Pub Date: Jan. 28, 2020

ISBN: 978-0-06-296139-6

Page Count: 384

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 28, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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