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THE ITALIAN PARTY

The ending is unexpected, with the author displaying a sophisticated, nuanced view of love and marriage that feels very...

Set in Siena in 1956, this debut novel is a spy thriller, comedy of manners, and valentine to Italy, spiked with forbidden sex and political skulduggery.

Eleven years after the end of World War II, young American newlyweds Scottie and Michael Messina arrive in Siena burdened with secrets. Michael is ostensibly there to sell tractors for Ford. In fact, he’s a CIA operative whose mission is to make sure the Communist mayor is defeated. He’s hiding something even more explosive, but his high-spirited wife, Scottie, doesn’t have a clue. She’s along as helpmeet—but, unbeknownst to Michael, is carrying a baby that’s not his. Complications, as they say, ensue. Robertino, a 14-year-old boy, signs on as Scottie’s Italian tutor; he’s also Michael’s “asset,” charged with stealing the local Communist Party membership rolls. When Robertino goes missing, everyone fears the worst. There’s a large supporting cast in this cinematic story, including the randy Communist mayor, Ugo; the seductive aristocrat, Carlo; and the smooth American diplomat (and Michael’s special friend), Duncan. Clare Boothe Luce, the actual American ambassador to Italy, also figures in the proceedings. Much of this is fun: packed with lies and betrayals, the book delivers plenty of juicy surprises. And the author, who was a correspondent in Italy for W and Women’s Wear Daily, takes obvious pleasure in writing about the country’s history, customs, and culinary feats. The book falters when it tries for pathos: the death of Robertino’s mother and the agony of Carlo’s wife over the loss of their son don’t mesh well with the rest of the action. The story also bogs down at times—shorter would have been better—and occasionally strains credulity.

The ending is unexpected, with the author displaying a sophisticated, nuanced view of love and marriage that feels very modern. Or maybe it’s just Italian.

Pub Date: March 20, 2018

ISBN: 978-1-250-14783-7

Page Count: 336

Publisher: St. Martin's

Review Posted Online: Jan. 22, 2018

Kirkus Reviews Issue: Feb. 1, 2018

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THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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