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ALMOST HISTORY

Bram's fourth novel (In Memory of Angel Clare, 1989, etc.) dramatizes 35 years in the life of a career diplomat who comes out of the closet; the backdrop consists of political intrigue in the Philippines during the Marcos era. The result is an authoritative, very readable (and mostly mainstream) novel. Jim Goodall joins the Foreign Service in the early 1950's, at the height of the McCarthy era, when suspected homosexuals are hounded from the service as security risks. Goodall is repressed, vaguely attracted to men but unwilling to admit it, until the firing of one diplomat for ``perversion'' causes Goodall and fellow diplomat Dave Wheeler, bisexual, to discuss Goodall's sex life, or lack thereof, resulting in Goodall's first real sexual experience at a party/orgy. The personal narrative is rounded out by Goodall's sister's family, particularly by niece Meg, who loses a boyfriend to ``Uncle Jim''—increasingly active sexually—but stays close to him. Bram rotates between personal instances and political ones- -Goodall is serving as a diplomat in difficult times, and Bram evocatively records Philippine and Vietnamese crises in convincing fashion. Meanwhile, Goodall goes to gay bars, to the baths, and learns to enjoy one-night stands, while Meg engages in affairs and becomes a historian. Their two lives come together when she decides to do research in Manila. They both get involved with the Marcoses, Goodall with Ferdinand (and sexually with Imelda's hairdresser) and Meg with Imelda. A good deal of intrigue isn't resolved until Imelda helps out, in fact, and both Goodall and Meg save a life by relinquishing some potent information that could damage the Marcos regime. An epilogue, however, makes it clear that both principals prosper while the Marcos regime vanishes. Some of this is programmatic, but Bram convincingly re-creates a historical moment from a gay perspective.

Pub Date: April 27, 1992

ISBN: 1-55611-231-9

Page Count: 320

Publisher: Donald Fine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1992

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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DISTANT SHORES

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...

Another middle-aged mom in a muddle.

After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?

Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).

Pub Date: July 1, 2002

ISBN: 0-345-45071-X

Page Count: 352

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2002

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