THE RELIC MASTER

With torture and swordplay, there’s more (lowercase) gore than Washington generally offers and more fun than most readers...

A writer known for his satires of Washington, D.C., takes aim at religion in 16th-century Europe, where a relics trader is forced to steal one of Catholicism’s most coveted objects.

Buckley (But Enough About You, 2014, etc.) roams far from his usual inside-the-Beltway turf while tilting at earlier establishment types in this comic historical novel, his 16th book. In the year 1517, Dismas is the Relic Master at the high end of the holy-bone trade for two competing collectors, Frederick of Saxony and Albrecht of Mainz. When Dismas learns that his nest egg has been smashed by a Bernie Madoff precursor, he agrees to a scheme that depends on Albrecht’s envy of Frederick’s larger collection. But Dismas and his partner in crime, the German painter Dürer, are caught trying to pull the linen over Albrecht’s eyes with a fake shroud—Christ’s burial cloth—and the result is a penance compelling Dismas to steal the “real” shroud, “the most closely guarded relic in Christendom.” What ensues might be pitched Hollywood-style as The Princess Bride meets Ocean’s XIII. Dismas, Dürer, and three German mercenaries navigate a string of mishaps and brothels and rescue a beautiful damsel only to find themselves competing with another shroud thief. Buckley finds easy targets with the rampant abuses in relics, which make money off the laity’s guilt and gullibility. Dismas has heard of a dozen foreskins from the infant Jesus and enough arrows from the perforation of St. Sebastian “to supply the entire Roman army.” The writer also works in the contemporaneous rise of Martin Luther and the campaign he was able to wage against such abuses under the curious protection of Frederick, the great relic collector.

With torture and swordplay, there’s more (lowercase) gore than Washington generally offers and more fun than most readers might expect even from twisted history.

Pub Date: Dec. 8, 2015

ISBN: 978-1-5011-2575-1

Page Count: 256

Publisher: Simon & Schuster

Review Posted Online: Nov. 3, 2015

Kirkus Reviews Issue: Nov. 15, 2015

THE NIGHTINGALE

Still, a respectful and absorbing page-turner.

Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.

In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.

Still, a respectful and absorbing page-turner.

Pub Date: Feb. 3, 2015

ISBN: 978-0-312-57722-3

Page Count: 448

Publisher: St. Martin's

Review Posted Online: Nov. 19, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ALL THE LIGHT WE CANNOT SEE

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 5, 2014

Kirkus Reviews Issue: March 15, 2014

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