A breezy satire of political correctness, Buckley's third novel (after Wet Work, 1991) displays an undiminished appetite for current affairs and a talent for converting some of America's thornier social issues into light comedy. Less a novel than a series of glib one-acts, Thank You for Smoking chronicles the stress-filled days of Nick Naylor, chief propagandist for the tobacco industry and personally despised by cancer victims, the medical profession, talk show audiences, and most of Capitol Hill. Naylor's two best friends are equally maligned scapegoats, spokespeople for the alcohol and firearms industries respectively, and this lethal trinity's weekly lunches are the vehicle for Buckley's playful assault on American moral hypocrisy. Naylor and his pals are more or less ordinary folks who worry about losing their jobs, paying the mortgage, and raising their kids. Naylor's problem is that he is good at what he does; a matchless adversary on talk show debates, he deflates opponents with charisma and finesse. When he is kidnapped by mysterious militants who cover him with nicotine patches in the name of clean lungs, he becomes an instant hero, hounded by the press and pampered by Hollywood. As his fame and salary increase, he hobnobs with Oprah Winfrey, Larry King, Today show stars, and thinly disguised caricatures of familiar movie brokers and politicians. Meanwhile, the FBI seems to think the abduction was a deliberate publicity stunt and has evidence to prove it. Naylor goes to jail, a willing fall guy for a society obsessed with money and power. Topical allusions and a quick pace guarantee an amusing read, but Buckley's stereotyped characters, impassive prose, and pat ending limit his satirical reach to entertaining but inconsequential jabs. (Author tour)
Pub Date: June 1, 1994
ISBN: 0-679-43174-8
Page Count: 256
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 1994
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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