Not exactly a big romantic finish, but those who appreciate clear-eyed, unsentimental fiction will find its realism fresh...
The heroine of A Kiss for Maddalena (2003) grows up a lot in Castellani’s second novel.
Seven years after she came to Wilmington, Delaware, with her brand-new husband Antonio Grasso, Maddalena still badly misses her native village, and the family she left behind in war-devastated Italy. But she’s learned to love Antonio, and as the story begins in 1953, she’s finally pregnant for the first time. Antonio flies into a jealous rage; he only half-believes that his beautiful wife has cheated on him with her boss at the clothing factory, but it provides a good excuse to punish her with months of silence for the fact that he’s always found her “unreachable.” Antonio also seethes because, though he yearns to leave the Ford factory and start his own restaurant, he can’t muster the courage to pool his savings with either younger brother Mario or best friend Renato, who both go ahead without him. Castellani makes neither of his principals entirely likable. Maddalena remains annoyingly passive, and Antonio is amazingly self-centered, yet they learn to accommodate each other in a marriage neither would dream of ending. Counterpointing their troubled intimacy is the story of Giulio Fabbri, desperately lonely after the deaths of his parents and, at age 40, still lacking either a job or a wife to cushion the blow. The author excels at capturing the quiet yet absorbing texture of everyday life, the intricate maneuvering among people who love each other but who all have their own agendas. There are a few big events: Renato and his girlfriend (with Antonio’s reluctant help) cruelly harass a black family that dared to move into their Italian neighborhood; Maddalena falls into a coma after her daughter is born prematurely. But the real drama lies in the slow accretion of changes that forge the Grassos into an enduring couple, mostly happy and more or less fulfilled by their far from perfect union.
Not exactly a big romantic finish, but those who appreciate clear-eyed, unsentimental fiction will find its realism fresh and moving.Pub Date: Sept. 30, 2005
ISBN: 1-56512-433-2
Page Count: 336
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 2005
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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