For readers who seek a quick overview of one of the most convoluted periods in history, look elsewhere. For those who enjoy...

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THE SLEEPWALKERS

HOW EUROPE WENT TO WAR IN 1914

A massive, wide-ranging chronicle of the events, personalities and failures of the run-up to World War I.

Clark (Modern European History/Univ. of Cambridge; Iron Kingdom: The Rise and Downfall of Prussia, 1600–1947, 2006, etc.) lays out the long and violent history of Serbian nationalism, the confusion in the dying Austro-Hungarian empire and the struggle for dominance between the British and Russian empires. While explaining the irredentist mindset of Serbia then, the author also illuminates the causes of the Balkan unrest that erupted again in the 1990s. Surely he read every journal, letter, accounting and government document related to every nation and player in this period; indeed, there are points where some readers may wonder if this is a case of research rapture. Patience will be necessary to wade through the myriad details. However, given the vast amount of available material on World War I and the daunting task of trying to produce a readable account, Clark has succeeded admirably. The most remarkable fact about the crisis that led to this war is that none of those involved had any clue as to the intentions of not only their enemies, but also their allies. In fact, they weren’t absolutely sure who the enemy would be. Consequently, many, including Czar Nicholas II and Kaiser Wilhelm II, tried to head off the conflict right up to the end, each waiting for someone to do something as the world stumbled into war.

For readers who seek a quick overview of one of the most convoluted periods in history, look elsewhere. For those who enjoy excellent scholarship joined with logical composition and an easy style of writing, save a (wide) spot on your bookshelf for Clark’s work.

Pub Date: April 2, 2012

ISBN: 978-0-06-114665-7

Page Count: 736

Publisher: Harper/HarperCollins

Review Posted Online: Jan. 17, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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