A rich, synthesized imagining of the personal history of a country torn asunder.
A determined entrepreneur gets the opportunity to build his own private asylum in the midst of a country in turmoil.
Drawing deep inspiration from Caribbean literature, particularly Haiti, debut novelist Hebert makes a fine first attempt at invention with a story that feels steeped in both colonialism and modern strife. The book is set in an unnamed Caribbean island populated by natives, mulattoes, third-world revolutionaries and corrupt politicians. The inescapable narrator is Alexandre, the son of a shopkeeper, who is determined not to descend into the poverty and violence that marks his homeland. Through loyalty and dignified service, the boy becomes a valued valet to Senator Marcus, one of the wealthiest and most powerful men on the island. One Sunday, the assistant manager of the country’s most exclusive hotels takes Alexandre to see a dilapidated country estate that will soon become both refuge and rationalization for the ambitious young man. Soon after, a wealthy white businesswoman out of her element buys the property and hires Alexandre to restore it to its richest state. Over the course of several years, Alexandre builds Habitation Louvois into an obscenely opulent resort that accents the bitter divide between the country’s wealthy tourists and the shantytowns that mark its true nature. When the country’s president dies, the new leader finds himself defending the country’s infrastructure from hordes of armed gangs. Alexandre completely retreats into his new life, shunning his father and former friends and living in a state of denial that borders on madness. “What is this war you keep talking about?” he says in one outburst. “Wars have battles and campaigns. This is just shooting. This is nothing but mindless, brutal violence. This is a power struggle, nothing more.” With echoes of Marie Vieux Chauvet and Isak Dinesen, Hebert demonstrates an ambition and clarity of vision that is rare in a first novel.
A rich, synthesized imagining of the personal history of a country torn asunder.Pub Date: Feb. 28, 2012
ISBN: 978-0-06-208851-2
Page Count: 416
Publisher: Harper/HarperCollins
Review Posted Online: Dec. 12, 2011
Kirkus Reviews Issue: Jan. 1, 2012
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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