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MORTALITY

Certainly, Hitchens died too soon. May this moving little visit to his hospital room not be the last word from him.

A jovially combative riposte to anyone who thought that death would silence master controversialist Hitchens (Hitch-22, 2010, etc.).

Even as he lay—or sat or paced—dying in the unfamiliar confines of a hospital last year, the author had plenty to say about matters of life and death. Here, in pieces published in Vanity Fair to which are added rough notes and apothegms left behind in manuscript, Hitchens gives the strongest possible sense of his exhausting battle against the aggressive cancer spreading through his body. He waged that battle with customary sardonic good humor, calling the medical-industrial world into which he had been thrust “Tumortown.” More arrestingly, Hitchens conceived of the move from life to death as a sudden relocation, even a deportation, into another land: “The country has a language of its own—a lingua franca that manages to be both dull and difficult and that contains names like ondansetron, for anti-nausea medication—as well as some unsettling gestures that require a bit of getting used to.” One such gesture was the physician’s plunging of fingers into the neck to gauge whether a cancer had spread into the lymph nodes, but others were more subtle, including the hushed tones and reverences that came with the business. Hitchens, famously an atheist, visited the question of whether he should take Pascal’s wager and bet on God, concluding in the negative even as good God-fearing citizens filled his inbox with assurances that God was punishing him for his blasphemies with throat cancer. A reasonable thought, Hitchens concludes, though since he’s a writer, wouldn’t such a God have afflicted his hands first?

Certainly, Hitchens died too soon. May this moving little visit to his hospital room not be the last word from him.

Pub Date: Sept. 4, 2012

ISBN: 978-1-4555-0275-2

Page Count: 128

Publisher: Twelve

Review Posted Online: July 27, 2012

Kirkus Reviews Issue: Aug. 15, 2012

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BORN SURVIVORS

THREE YOUNG MOTHERS AND THEIR EXTRAORDINARY STORY OF COURAGE, DEFIANCE, AND HOPE

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered...

The incredible true story of three Jewish women who survived the Holocaust.

Priska, Rachel, and Anka were married Jewish women in their early 20s when the Nazis took control of Europe. Like millions of other Jews, they were forced to give up their normal lives, all of their belongings, and their homes. Shuttled into ghettos and then off to one of the most notorious camps, Auschwitz II-Birkenau, they suffered through the Nazis’ increasing atrocities. But these three women all held a secret: they were pregnant. They were moved from Auschwitz and ended up in Mauthausen, another notorious death camp. With facing the most horrible conditions imaginable, all three gave birth right before the Allies accepted Germany’s surrender. In this meticulously detailed account, Holden (Haatchi & Little B: The Inspiring True Story of One Boy and His Dog, 2014, etc.) compiles an enormous amount of information from interviews, letters, historical records, and personal visits to the sites where this story unfolded. The graphic history places readers in the moment and provides a sense of the enduring power of love that Priska, Rachel, and Anka had for their unborn children and for the husbands they so desperately hoped to see after the war. Even though it occurred more than 70 years ago, the story’s truth is so chillingly portrayed that it seems as if it could have happened recently. These three women and their infants survived in the face of death, and, Holden writes, “their babies went on to have babies of their own and create a second and then a third generation, all of whom continue to live their lives in defiance of Hitler’s plan to erase them from history and from memory.”

An engrossing, intense, and highly descriptive narrative chronicling the ghastly conditions three pregnant women suffered through at the hands of the Nazis.

Pub Date: May 5, 2015

ISBN: 978-0-06-237025-9

Page Count: 400

Publisher: Harper/HarperCollins

Review Posted Online: March 28, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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