THE LUST LIZARD OF MELANCHOLY COVE

Godzilla comes to Pine Cove, nestled somewhere between Los Angeles and San Francisco, in Moore’s latest foray into the zany and the zonked. If Steve Martin ever wrote a novel, it might be something like Moore’s farcical labors in the field of psychotropic fiction. Here, one knows from the start that not only is nothing sacred to the author but also that nothing is important, and by mid-novel you’re doubtful that anything life-changing will come of this bemused cartooning. Even so, Moore’s latest is marginally less sick and more serious than 1997’s Island of the Sequined Love Nun. It’s September in Pine Cove. Cleaning freak Bess Leander has just hung herself. Investigating is stoned constable Theophilus Crowe. Meanwhile, Bess’s therapist, Valerie Riordan, who counsels a large number of the town’s population and keeps them tranquilized on a variety of psychotropics, gets scared by the statistic that 15 percent of all depressed people commit suicide. This means that perhaps more than 200 of her patients are slated for self-exit, despite her widely dispensed pills—for which she gets a kickback from the local druggist, a dolphin fetishist. When her qualms overcome her, Val instructs the druggist to replace the pills with placebos. As autumn leaves fall, her patients go into withdrawal and self-medicate, en masse, with alcohol. What’s more, elderly Delta guitarist Catfish Jefferson has just been hired to play at the Head of the Slug Saloon, where his marvelously sad blues add to the local scene’s seductive narcosis. Fifty years ago down on the Delta, Catfish first met the Sea Beast, a hundred-foot creature that loved his steel guitar and that has now risen from the depths, awakened by a sexy nuclear radiation leak, to blister the countryside with radiant energies of lust . . . . Patches of good writing break through the looniness and give hope for better things from Moore when his hare-brained imagination settles down. (Author tour)

Pub Date: April 1, 1999

ISBN: 0-380-97506-8

Page Count: 320

Publisher: Avon/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1999

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The phrase “tour de force” could have been invented for this audacious novel.

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A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...

FIREFLY LANE

Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.

Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?

Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.

Pub Date: Feb. 1, 2008

ISBN: 978-0-312-36408-3

Page Count: 496

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2007

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