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DISRUPTION

An adrenalized, technology-laden actioner.

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Covert operative Jake Pendleton returns to stop a possibly devastating cyberwarfare alliance between North Korea and Iran in Barrett’s (Blown, 2015, etc.) latest series thriller.

Jake’s latest assignment as emissary for Virginia espionage firm Commonwealth Consultants sends him to Italy. He and his partner, Italian intelligence agent Francesca Catanzaro, are searching for a hacker nicknamed “The Jew,” who’d tried to warn two American executives of their company’s cybersecurity breaches. The Defense Department was a major client of both companies, and when the aforementioned executives turn up dead, government officials believe that Iranian hacking team Tarh Andishan may be responsible. A series of cybercrimes in the United States further indicates that Iran has aligned itself with North Korea. A major cyberattack called “Disruption” appears to be underway, involving the hacking of various countries’ banking systems. The scheme may involve Boris, a cyberterrorist whom Jake once failed to capture in Washington, D.C., and may also be connected to the disappearance of a Malaysian jetliner more than two years ago. Jake, meanwhile, is worried about Francesca, who seems distracted by her former partner and lover, Marco Serreti, the deputy director of Italy’s intelligence agency. Despite this, Jake and Francesca rush to locate “The Jew” before Disruption begins. This high-speed thriller moves quickly through different parts of the world and through the stories of its myriad characters. It’s all very straightforward but maintains a high level of intensity. Barrett wisely keeps the plot simple and the technical jargon at a minimum, defining terminology in the context of the narrative without interrupting the flow. Barrett adds other twists to preserve the momentum, such as when Jake’s love interest, Kyli, gets caught in a lab explosion. Although Jake and Francesca get involved in multiple chases and occasional brawls, their involvement with the actual cyberthreat is often superficial. Early on, Jake admits, “I don’t know much about hacking,” and he needs others to explain concepts, such as a digital signature. This does, however, give a relatively minor character, Commonwealth Consultants analyst George Fontaine, a chance to shine.

An adrenalized, technology-laden actioner.

Pub Date: Oct. 25, 2016

ISBN: 9780988506183

Page Count: 404

Publisher: Switchback Press

Review Posted Online: Aug. 12, 2016

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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