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DISRUPTION

An adrenalized, technology-laden actioner.

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Covert operative Jake Pendleton returns to stop a possibly devastating cyberwarfare alliance between North Korea and Iran in Barrett’s (Blown, 2015, etc.) latest series thriller.

Jake’s latest assignment as emissary for Virginia espionage firm Commonwealth Consultants sends him to Italy. He and his partner, Italian intelligence agent Francesca Catanzaro, are searching for a hacker nicknamed “The Jew,” who’d tried to warn two American executives of their company’s cybersecurity breaches. The Defense Department was a major client of both companies, and when the aforementioned executives turn up dead, government officials believe that Iranian hacking team Tarh Andishan may be responsible. A series of cybercrimes in the United States further indicates that Iran has aligned itself with North Korea. A major cyberattack called “Disruption” appears to be underway, involving the hacking of various countries’ banking systems. The scheme may involve Boris, a cyberterrorist whom Jake once failed to capture in Washington, D.C., and may also be connected to the disappearance of a Malaysian jetliner more than two years ago. Jake, meanwhile, is worried about Francesca, who seems distracted by her former partner and lover, Marco Serreti, the deputy director of Italy’s intelligence agency. Despite this, Jake and Francesca rush to locate “The Jew” before Disruption begins. This high-speed thriller moves quickly through different parts of the world and through the stories of its myriad characters. It’s all very straightforward but maintains a high level of intensity. Barrett wisely keeps the plot simple and the technical jargon at a minimum, defining terminology in the context of the narrative without interrupting the flow. Barrett adds other twists to preserve the momentum, such as when Jake’s love interest, Kyli, gets caught in a lab explosion. Although Jake and Francesca get involved in multiple chases and occasional brawls, their involvement with the actual cyberthreat is often superficial. Early on, Jake admits, “I don’t know much about hacking,” and he needs others to explain concepts, such as a digital signature. This does, however, give a relatively minor character, Commonwealth Consultants analyst George Fontaine, a chance to shine.

An adrenalized, technology-laden actioner.

Pub Date: Oct. 25, 2016

ISBN: 9780988506183

Page Count: 404

Publisher: Switchback Press

Review Posted Online: Aug. 12, 2016

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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