by Chuck Hogan ‧ RELEASE DATE: March 10, 1995
The nine-day siege of a white supremacist's fortress cabin in the Montana mountains is the focus of this absolutely smashing debut thriller. Inspired by a confrontation in Idaho, Hogan successfully creates an almost tangible sense of an actual armed standoff and hostage negotiation, sweeping the reader along in a series of events that lead, inevitably, to an explosive resolution that is at once triumphant and tragic. The selection of burnt-out FBI Special Agent John Banish to lead the attempt to dislodge Glenn Ables and his family from their mountaintop retreat is highly unorthodox and unsettling to those under his command. Banish was once the Bureau's hotshot hostage negotiator, but his career and his very life were derailed by a New York City face-off that ended in disaster. Complicating his current situation are the private agendas of several members of the federal forces aligned against Ables, including the angry black head of the US Marshal's Special Ops Group and the local sheriff, a Native American whose minority status leaves him vulnerable and frustrated. The situation is inflamed by a growing crowd of sympathetic local residents and the influx of various hate groups trying to use the event as the focal point for open revolution. Their case is strengthened when one of Ables's young daughters is killed in a skirmish early on. Worse yet, Banish becomes aware that there may be some grains of truth in his opponent's charge that the government has forced him into this untenable position. The dramatic final moments of the siege are highlighted by two unexpected face-to-face confrontations and an act of heroism well beyond the call of duty. Tense, frightening, and all too believable, a certified page- turner. (Film rights to New Line Cinema; Book-of-the-Month Club featured selection)
Pub Date: March 10, 1995
ISBN: 0-385-47716-3
Page Count: 320
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 1994
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BOOK REVIEW
by Chuck Hogan
BOOK REVIEW
by Chuck Hogan
BOOK REVIEW
by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
BOOK REVIEW
by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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