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THE STANDOFF

The nine-day siege of a white supremacist's fortress cabin in the Montana mountains is the focus of this absolutely smashing debut thriller. Inspired by a confrontation in Idaho, Hogan successfully creates an almost tangible sense of an actual armed standoff and hostage negotiation, sweeping the reader along in a series of events that lead, inevitably, to an explosive resolution that is at once triumphant and tragic. The selection of burnt-out FBI Special Agent John Banish to lead the attempt to dislodge Glenn Ables and his family from their mountaintop retreat is highly unorthodox and unsettling to those under his command. Banish was once the Bureau's hotshot hostage negotiator, but his career and his very life were derailed by a New York City face-off that ended in disaster. Complicating his current situation are the private agendas of several members of the federal forces aligned against Ables, including the angry black head of the US Marshal's Special Ops Group and the local sheriff, a Native American whose minority status leaves him vulnerable and frustrated. The situation is inflamed by a growing crowd of sympathetic local residents and the influx of various hate groups trying to use the event as the focal point for open revolution. Their case is strengthened when one of Ables's young daughters is killed in a skirmish early on. Worse yet, Banish becomes aware that there may be some grains of truth in his opponent's charge that the government has forced him into this untenable position. The dramatic final moments of the siege are highlighted by two unexpected face-to-face confrontations and an act of heroism well beyond the call of duty. Tense, frightening, and all too believable, a certified page- turner. (Film rights to New Line Cinema; Book-of-the-Month Club featured selection)

Pub Date: March 10, 1995

ISBN: 0-385-47716-3

Page Count: 320

Publisher: Doubleday

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 15, 1994

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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