A fine return to form for Klosterman, blending Big Ideas with heavy metal, The Wire, Batman and much more.
Of John Rawls and Keith Richards: Klosterman (The Visible Man, 2011, etc.) returns with a pop-culture–laden meditation on the bad guys of the world and what they mean.
Philosophers call it the “problem of evil.” Though he holds down the lofty post of ethicist for the New York Times Magazine, Klosterman’s take is guided less by the wisdom of the ages than his own gut feeling. In the linked essays here, he’s grappling less with supervillains such as Adolf Hitler and Pol Pot (though both figure) than with such less-fraught specimens as Snidely Whiplash, of Dudley Doo-Right fame, and Morris Day, who dared oppose Prince for the love of a righteous woman and top stakes in the battle of the bands. That most of his subjects are from the pop-culture realm, whether Andrew Dice Clay or Chevy Chase or the Eagles, does not diminish the underlying sophistication of Klosterman’s guiding questions: Why is it that grown-ups are more comfortable with the grays of a black-and-white world while being drawn to the dark side of the force? Which is to say, why do kids love Luke Skywalker while adults secretly cheer for Darth Vader? Well, not all adults do, of course—just as not all adults will forgive Klosterman his roundabout defense of Newt Gingrich as a Very Bad Guy who doesn’t give a monkey’s backside for what other people think of him. Still, there are some fruitful exercises in the author’s brand of such forgiveness: quantifying, say, who was to blame in the Monica Lewinsky affair (“The larger vilification was ultimately split five ways. Mr. Clinton, of course, was first against the wall”) and running through the moral calculus to determine whether, à la Jeffrey Lebowski, we should not all deem the Eagles the most evil band in history—as, it seems, we should.
A fine return to form for Klosterman, blending Big Ideas with heavy metal, The Wire, Batman and much more.Pub Date: July 9, 2013
ISBN: 978-1-4391-8449-3
Page Count: 224
Publisher: Scribner
Review Posted Online: May 18, 2013
Kirkus Reviews Issue: June 1, 2013
PROFILES
An inspiringly intense memoir for readers of adventure lit.
A much-honored climber’s exciting story of the death-defying feats that led to rock-climbing superstardom.
Honnold showed a predilection for climbing when he was still a small child. At age 5, he managed to scramble 30 feet off the ground at a climbing gym within just a few minutes. Later, he entered climbing competitions all over his home state of California. After his father died, Honnold dropped out of college and chose to live out of his mother’s minivan while climbing mountains. This book—which alternates between narratives by Honnold and writer/climber Roberts (Lost World of the Old Ones: Discoveries in the Ancient Southwest, 2015, etc.)—focuses on that remarkable and unconventional life and how Honnold, a quiet man who climbed purely for the joy of adventure, became “the most famous climber in the world” in the span of seven years. In his early days as a vagabond climber, he learned how to free solo, a form of climbing that relies on strength and skill alone. Not long after that, Honnold began attempting climbs—such as Half Dome in Yosemite and Sendero Luminoso in Mexico—that veterans of the sport believed were too difficult to do without gear or a partner. His notoriety spread quickly among rock climbers. Rapidly, Honnold became the subject of several documentaries and was receiving sponsorships that allowed him to travel the world and push the boundaries of his sport to extreme new heights. His dedication to the sport of rock climbing had its costs, however, including the painful end of a long-term relationship. Yet celebrity status also reinforced his belief in the importance of living simply. In 2012, he established the Honnold Foundation, which sought “sustainable ways to improve lives worldwide.” The humility, pioneering spirit, and courage that are the author’s personal hallmarks are both refreshing and invigorating. His account ultimately reminds readers how genuine fulfillment comes only when engaging in life fully and without fear.
An inspiringly intense memoir for readers of adventure lit.Pub Date: Nov. 9, 2015
ISBN: 978-0-393-24762-6
Page Count: 288
Publisher: Norton
Review Posted Online: Aug. 31, 2015
Kirkus Reviews Issue: Sept. 15, 2015
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...
An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.
Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.
Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.Pub Date: March 3, 2015
ISBN: 978-0802123411
Page Count: 288
Publisher: Grove
Review Posted Online: Nov. 3, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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