Dark, subversive and disquieting fiction for readers ready to go all the way down.
Twenty stories of embattled brothers and twisted sisters hand-selected by Palahniuk and two comrades from his online community The Cult.
Transgressive fiction is a much broader label than many readers realize, encompassing everything from Hubert Selby Jr.’s gritty Last Exit to Brooklyn to Alissa Nutting’s much-debated Tampa. Palahniuk (Doomed, 2013, etc.) is arguably the most capable modern practitioner of the style and certainly its most visible champion. “We return to troubling films and books because they don’t pander to us—their style and subject matter challenge, but to embrace them is to win something worth having for the rest of our lives,” he proclaims. “The difficult, the new and novel establish their own authority.” That said, these creative endeavors remain mostly male and uniquely grotesque, inhabiting their own peculiar orbit in the universe of American lit. Many are about self-harm, resembling some of the stories—like the infamous nausea-inducing “Guts,” for example—from Palahniuk’s Haunted (2005). In Neil Krolicki’s “Live This Down,” a clique of teenage girls find themselves humiliated after a botched suicide attempt. There’s also the disgruntled retail clerk in Richard Lemmer’s “Ingredients,” scarred inside and out after a dare goes wrong. Other stories, including Matt Egan’s “A Vodka Kind of Girl” and Brandon Tietz’s “Dietary,” explore the fear and loathing between women and body image. Almost always there’s a tendency to examine the dichotomy between the damage we do to our bodies and the strange secrecy of our inner monologues. That’s certainly true in Phil Jourdan’s “Mind and Soldier,” about a disabled vet, and Keith Buie’s “The Routine,” recounting the sins of an overworked graveyard shift pharmacist. Some stories are subtle, like Chris Lewis Carter’s “Charlie,” recounting the cycle of animal abuse. Others are not—see the casual zoophilia of Brien Piechos’ “Heavier Petting” and the collection’s closer, “Zombie Whorehouse” by Daniel W. Broallt. No, it’s not a metaphor.
Dark, subversive and disquieting fiction for readers ready to go all the way down.Pub Date: Aug. 12, 2014
ISBN: 978-1-60542-734-8
Page Count: 310
Publisher: Medallion Press
Review Posted Online: July 16, 2014
Kirkus Reviews Issue: Aug. 1, 2014
PROFILES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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