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EL VOLCÁN

Intriguing characters, intense action and an exotic, exhilarating plot.

This fast-paced military thriller is set in Central America during Cold War-era late 1980s.

U.S. Marine Corps Lt. Peter Kane is sent to San Cristobal, a fictitious nation bordering Guatemala and El Salvador which is embroiled in a civil war. The San Cristobal government is fighting Communist insurgents–the Gerardo Rivas Popular Army, named after an early 1900s Communist leader from the country. The United States is advising the government as it fights these guerrillas, with Peter playing a central role. Once in the country, however, he quickly finds the conditions to be rough. The soldiers live in squalor, and the overall facilities and environment are less than desirable. Peter must fight his way back to safety after his helicopter is shot down, and later, he seeks revenge for the killing of a colleague. Levy writes with great detail, filling the book with adventure and presenting the protagonist as a Rambo-like hero along the way. Aside from the hero, the novel focuses on Tienente Col. Guzman Clemente, a guerrilla leader who begins to question the meaning of warfare, especially the killing of innocent children. Meanwhile, the Tiche Indians remain separate from the rest of society, and yet, they too are pulled into the war. After Peter saves a Tiche girl, he spends time in her village, experiencing a culture that few outsiders have ever seen. It is a transformative moment, one that sets up the dramatic climax to this fascinating book. The author acknowledges at the conclusion that he wrote El Volcan two decades ago, and it certainly reflects that era. But it remains timely, capturing the horrors of war and the involvement of American soldiers in harm’s way. It captivates the reader from beginning to end.

Intriguing characters, intense action and an exotic, exhilarating plot.

Pub Date: Aug. 1, 2009

ISBN: 978-1-4389-5267-3

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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