by Claire Tomalin ‧ RELEASE DATE: Oct. 31, 2011
Like Shakespeare, Charles Dickens (1812–1870) was an overachiever of genius, and his life was as eventful, dramatic and character-filled as any of his novels. This rich new biography brilliantly captures his world.
Acclaimed biographer Tomalin (Thomas Hardy: The Time-Torn Man, 2007, etc.) has always hunted big literary game (Hardy, Jane Austen, Samuel Pepys, etc.), and here she goes after one of the biggest and most complex. Dickens once told a visiting Dostoevsky that his heroes and villains came from the two people inside him: “one who feels as he ought to feel and one who feels the opposite.” However, there were many more dimensions to Dickens’ character. Besides being a tireless writer of long, complicated novels and hundreds of articles, an editor of a succession of magazines and a frustrated actor whose public readings became standing-room-only events, he was ebullient, charming, radical, instinctively sympathetic to the poor, generous to friends but unforgiving once you got on his bad side. At home, he was a domineering husband to his long-suffering wife and a distant father to his ten children. Dickens certainly would have appreciated Tomalin’s keen eye for scene, character and narrative pace. Ever the deft critic, she notes how the characters in Martin Chuzzlewit are “set up like toys programmed to run on course,” and that Hard Times “fails to take note of its own message that people must be amused.” Having written previously on Dickens’ disastrous late-life affair (The Invisible Woman: The Story of Nelly Ternan and Charles Dickens, 1991), Tomalin also displays considerable detective work to bolster the possibility that Dickens and his other woman had a secret child who died in infancy. Superbly organized, comprehensive and engrossing from start to finish—a strong contender for biography of the year.
Pub Date: Oct. 31, 2011
ISBN: 978-1-59420-309-1
Page Count: 576
Publisher: Penguin Press
Review Posted Online: Aug. 10, 2011
Kirkus Reviews Issue: Sept. 1, 2011
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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