A vivid portrait of the early years of an author of astounding vision, who predicted many of the horrors of the 20th century.

THE YOUNG H.G. WELLS

CHANGING THE WORLD

The acclaimed literary biographer delivers a compelling portrait of the formative years of the iconic British author.

Tomalin chronicles the early life of H.G. Wells (1866-1946), who drew on his scientific knowledge and prophetic vision to write some of the most thrilling books of his era. Tomalin paints a picture of a young man desperate and determined to succeed. His family endured genteel poverty, and his mother, a housekeeper, determined that his best shot at success was to apprentice as a draper. Fortunately for future readers, Wells hated the position and “made up his mind to behave badly.” While teaching at a boarding school, he was beaten severely in a rugby game and might have died had his resourceful mother not nursed him back to health at the estate where she worked—and where the convalescing young man absorbed the estate’s magnificent library. From there, a series of lucky breaks propelled Wells to fame and eventual fortune. He won a fellowship to study under Thomas Huxley, foremost English scientist of the age, and his scientific grounding became the eventual foundation for his early novels: The Time Machine, The Island of Doctor Moreau, The War of the Worlds. Wells accurately predicted cross-channel air travel, tank warfare, and aerial bombings. His fiction, writes Tomalin, “reads like reporting of things seen touched and heard.” Wells was a renegade, which enlivens the already engaging narrative. An ardent believer in free love, he pursued multiple extramarital affairs, the most notorious of which was a liaison with the daughter of close friends that produced a child. Tomalin covers her subject’s many shortcomings, but she has an empathy for him and a deep understanding of a young man impelled to reach for everything within his grasp. She ends her story with Wells in his early 40s, noting that she was reluctant to part company with this complicated genius. Readers of this excellent biography will agree.

A vivid portrait of the early years of an author of astounding vision, who predicted many of the horrors of the 20th century.

Pub Date: Nov. 2, 2021

ISBN: 978-1-984879-02-8

Page Count: 304

Publisher: Penguin Press

Review Posted Online: Aug. 15, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

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TANQUERAY

A former New York City dancer reflects on her zesty heyday in the 1970s.

Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.

A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.

Pub Date: July 12, 2022

ISBN: 978-1-250-27827-2

Page Count: 192

Publisher: St. Martin's

Review Posted Online: July 28, 2022

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A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

LOVE, PAMELA

The iconic model tells the story of her eventful life.

According to the acknowledgments, this memoir started as "a fifty-page poem and then grew into hundreds of pages of…more poetry." Readers will be glad that Anderson eventually turned to writing prose, since the well-told anecdotes and memorable character sketches are what make it a page-turner. The poetry (more accurately described as italicized notes-to-self with line breaks) remains strewn liberally through the pages, often summarizing the takeaway or the emotional impact of the events described: "I was / and still am / an exceptionally / easy target. / And, / I'm proud of that." This way of expressing herself is part of who she is, formed partly by her passion for Anaïs Nin and other writers; she is a serious maven of literature and the arts. The narrative gets off to a good start with Anderson’s nostalgic memories of her childhood in coastal Vancouver, raised by very young, very wild, and not very competent parents. Here and throughout the book, the author displays a remarkable lack of anger. She has faced abuse and mistreatment of many kinds over the decades, but she touches on the most appalling passages lightly—though not so lightly you don't feel the torment of the media attention on the events leading up to her divorce from Tommy Lee. Her trip to the pages of Playboy, which involved an escape from a violent fiance and sneaking across the border, is one of many jaw-dropping stories. In one interesting passage, Julian Assange's mother counsels Anderson to desexualize her image in order to be taken more seriously as an activist. She decided that “it was too late to turn back now”—that sexy is an inalienable part of who she is. Throughout her account of this kooky, messed-up, enviable, and often thrilling life, her humility (her sons "are true miracles, considering the gene pool") never fails her.

A juicy story with some truly crazy moments, yet Anderson's good heart shines through.

Pub Date: Jan. 31, 2023

ISBN: 9780063226562

Page Count: 256

Publisher: Dey Street/HarperCollins

Review Posted Online: Dec. 6, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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