A postmodern Victorian novel from Irish writer Boylan (Black Baby, Last Resorts) in which the squalid poverty and diminishing expectations of the numerous Devlin family of Dublin are related with almost gleeful black humor. Children of a misalliance—an English mother with style and social pretensions married to a working-class father—they live in a tenement, where one of their few rooms is given over to a display of expensive knickknacks and furniture that their mother brought from England. Of her ten children, Mrs. Devlin favors her three sons, for whom she nurtures extravagant expectations of social advancement; the girls, on the other hand, are expected to keep house and earn money as soon as they are old enough. Daisy, the eighth daughter, who is six when the story begins in 1896, is the main protagonist. Emotionally stunted by her adored father's sexual advances, she's the somewhat detached observer of this Dickensian family in which mother sacrifices all, including her daughters, for appearance's sake; sexual ignorance is the norm; and death is a regular caller—father is killed stopping a runaway horse; brother drowns in a canal; a sister dies in childbirth; and elder sister Lena dies of typhus. Daisy becomes a nun, but leaves the convent when she meets handsome Cecil Cantwell. They marry, have two children, but soft-hearted Cecil is a dreamer—and an inveterate ladies' man who can't be trusted even with one's sister. Daisy tries to live just for the day, but it's not easy, especially when married to Cecil. And as Ireland moves toward self-rule, the downbeat and pretty awful Devlin history sputters to an inconclusive end. Tart telling of the way it probably was in Dublin's not-so- fair city, and a relentlessly realistic riposte to all those affirmative sagas of intergenerational sweetness and life.
Pub Date: June 1, 1992
ISBN: 0-385-26176-4
Page Count: 224
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1992
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
