Bold and engrossing—but not, in the final analysis, especially convincing.
A vigorously detailed homage to a great 19th-century writer yields mixed results, in Irish author Boylan’s unusual eighth novel (following Beloved Strangers, 2001, etc.).
When Charlotte Brontë died in 1855, she left behind a 20-page fragment of a piece of fiction tentatively titled Emma, at which she had worked fitfully for nearly two years. Boylan painstakingly extends its arresting premise: a young heiress’s arrival at a boarding school in the north of England (probably Yorkshire), the discovery that she is not what she seems, and her sudden disappearance. Emma Brown begins wonderfully, with the voice of Mrs. Chalfont, an elderly widow employed at Fuchsia Lodge, owned by the three maiden Wilcox sisters. Through her eyes, we observe the school’s delighted welcome of young Matilda Fitzgibbon and her suave father. Then, in a clever abrupt shift, an omniscient narrative introduces us to William Ellin, a Wilcox adviser asked to investigate the nonpayment of Matilda’s bills, her father’s unknown whereabouts, and several subsequent interlocking mysteries. The story here is consistently intriguing, and Boylan enlivens it with an impressive wealth of social detail, as Mrs. Chalfont and Mr. Ellin separately plumb their own past histories, attempting to learn What Became of Matilda. In addition to inevitable echoes of Brontë’s masterpieces Jane Eyre and Villette, Boylan layers in resonant echoes of Dickens, Wilkie Collins, and other Brontë contemporaries—and reveals a huge debt to Henry Mayhew’s classic sociological study London Labour and the London Poor. But Boylan’s text is littered with anachronisms—ranging from language that would never have been used by proper Victorians to plot expansions that lead us, not just into London’s criminal underworld (very vividly evoked, incidentally), but to outraged responses to the evils of child endangerment that sound like the testimony of contemporary victims’ advocates.
Bold and engrossing—but not, in the final analysis, especially convincing.Pub Date: April 12, 2004
ISBN: 0-670-03297-2
Page Count: 436
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2004
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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