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98 REASONS FOR BEING

Dudman’s artistry matches her historic research, and the combination is very rich.

A 19th-century German doctor gropes toward humane treatment of the mentally ill in a poignant story based on a real physician.

Again using her keen intelligence and deftly economical writing to illustrate an important moment in the history of science, the British Dudman, whose 2004 One Day The Ice Will Reveal Its Dead presented the birth of plate tectonic theory, creates a life for the pioneering psychiatrist Heinrich Hoffmann. Hoffmann has a certain literary notoriety for Struwwelpeter or Shockheaded Peter, his ghastly but magnetic collection of didactic verses for children. Struwwelpeter, originally illustrated by Hoffmann himself, was hugely popular for decades and remains available (Google it; it’s not to be missed), but Dudman’s interest is in Hoffmann’s early efforts to break away from the awful remedies that had been used for centuries to treat the insane, epileptic, retarded and otherwise inconvenient souls in this world. Trained in Heidelberg, Hoffmann worked his way into management of the insane asylum in Frankfurt, where Dudman presents him with Hannah Meyer, a young woman from the Jewish ghetto whose mother hopes Hoffmann can help her recover from a mental breakdown. Hannah’s bleak and confused thoughts are interwoven with Hoffmann’s early efforts, a structure that makes for slow going at first. As Hannah’s broken-hearted history is gradually revealed, so are the stories and states of the inmates and staff of the asylum. Hoffmann’s own life is nearly as bleak as his patients’ own lives. His grasping wife Therese has banished her oldest son, Heinrich’s favorite, to boarding school so that she won’t have to deal with his disturbing adolescence. After conventional and dreadful treatments such as galvanic shock and ice water dunkings fail to bring Hannah back, Hoffmann simply talks to her about his own troubles until she is engaged and begins to return from her state of despair.

Dudman’s artistry matches her historic research, and the combination is very rich.

Pub Date: July 21, 2005

ISBN: 0-670-03424-X

Page Count: 352

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE RUMOR

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Hilderbrand’s latest cautionary tale exposes the toxic—and hilarious—impact of gossip on even the most sophisticated of islands.

Eddie and Grace Pancik are known for their beautiful Nantucket home and grounds, financed with the profits from Eddie’s thriving real estate company (thriving before the crash of 2008, that is). Grace raises pedigreed hens and, with the help of hunky landscape architect Benton Coe, has achieved a lush paradise of fowl-friendly foliage. The Panciks’ teenage girls, Allegra and Hope, suffer invidious comparisons of their looks and sex appeal, although they're identical twins. The Panciks’ friends the Llewellyns (Madeline, a blocked novelist, and her airline-pilot husband, Trevor) invested $50,000, the lion’s share of Madeline’s last advance, in Eddie’s latest development. But Madeline, hard-pressed to come up with catalog copy, much less a new novel, is living in increasingly straightened circumstances, at least by Nantucket standards: she can only afford $2,000 per month on the apartment she rents in desperate hope that “a room of her own” will prime the creative pump. Construction on Eddie’s spec houses has stalled, thanks to the aforementioned crash. Grace, who has been nursing a crush on Benton for some time, gives in and a torrid affair ensues, which she ill-advisedly confides to Madeline after too many glasses of Screaming Eagle. With her agent and publisher dropping dire hints about clawing back her advance and Eddie “temporarily” unable to return the 50K, what’s a writer to do but to appropriate Grace’s adultery as fictional fodder? When Eddie is seen entering her apartment (to ask why she rented from a rival realtor), rumors spread about him and Madeline, and after the rival realtor sneaks a look at Madeline’s rough draft (which New York is hotly anticipating as “the Playboy Channel meets HGTV”), the island threatens to implode with prurient snark. No one is spared, not even Hilderbrand herself, “that other Nantucket novelist,” nor this magazine, “the notoriously cranky Kirkus.”

Once again, Hilderbrand displays her gift for making us care most about her least likable characters.

Pub Date: June 16, 2015

ISBN: 978-0-316-33452-5

Page Count: 384

Publisher: Little, Brown

Review Posted Online: May 20, 2015

Kirkus Reviews Issue: June 1, 2015

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