Dudman’s artistry matches her historic research, and the combination is very rich.
A 19th-century German doctor gropes toward humane treatment of the mentally ill in a poignant story based on a real physician.
Again using her keen intelligence and deftly economical writing to illustrate an important moment in the history of science, the British Dudman, whose 2004 One Day The Ice Will Reveal Its Dead presented the birth of plate tectonic theory, creates a life for the pioneering psychiatrist Heinrich Hoffmann. Hoffmann has a certain literary notoriety for Struwwelpeter or Shockheaded Peter, his ghastly but magnetic collection of didactic verses for children. Struwwelpeter, originally illustrated by Hoffmann himself, was hugely popular for decades and remains available (Google it; it’s not to be missed), but Dudman’s interest is in Hoffmann’s early efforts to break away from the awful remedies that had been used for centuries to treat the insane, epileptic, retarded and otherwise inconvenient souls in this world. Trained in Heidelberg, Hoffmann worked his way into management of the insane asylum in Frankfurt, where Dudman presents him with Hannah Meyer, a young woman from the Jewish ghetto whose mother hopes Hoffmann can help her recover from a mental breakdown. Hannah’s bleak and confused thoughts are interwoven with Hoffmann’s early efforts, a structure that makes for slow going at first. As Hannah’s broken-hearted history is gradually revealed, so are the stories and states of the inmates and staff of the asylum. Hoffmann’s own life is nearly as bleak as his patients’ own lives. His grasping wife Therese has banished her oldest son, Heinrich’s favorite, to boarding school so that she won’t have to deal with his disturbing adolescence. After conventional and dreadful treatments such as galvanic shock and ice water dunkings fail to bring Hannah back, Hoffmann simply talks to her about his own troubles until she is engaged and begins to return from her state of despair.
Dudman’s artistry matches her historic research, and the combination is very rich.Pub Date: July 21, 2005
ISBN: 0-670-03424-X
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
BOOK REVIEW
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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